sat 22/02/2025

New Music Reviews

Primal Scream, The Haunt, Brighton review - up-close, short, raucous and sweaty

Thomas H Green

Primal Scream have played in this city, in the recent past, at the 4,500 capacity Brighton Centre but tonight they’re in a venue which holds well under 400. A bananas atmosphere reigns when bands of their stature play intimate shows, and so it is tonight.

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Sting and Shaggy, Roundhouse review - wilfully uncool and irrepressibly good fun

Russ Coffey

Musical odd couples don't come much stranger than Sting and Shaggy.

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Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festival 2019 review – traditions soar free

Nick Hasted

Much of Rokia Traoré’s set on Saturday night comprised folk songs about Mali’s warrior kings, connecting with her country’s fabulously wealthy, proudly powerful past. They suit this diplomat’s daughter’s regal stature, which she has put at the service of a nation still enviably rich in musical resources, but battered by civil war, poverty and terrorist attack.

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Reissue CDs Weekly: Ronnie Lane

Kieron Tyler

It was inevitable that Rod Stewart’s distracting solo adventures would eventually kill off Faces, the band he fronted. Less predictable was the departure during their lifetime of another founder member, their bassist and key songwriter Ronnie Lane.

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Claire Martin, Ronnie Scott’s - swinging hard in Soho

peter Quinn

While some vocalists build an entire career on a 'one-timbre-fits-all' approach, one of Claire Martin's greatest strengths is the way in which she brings all of the different colours of her voice into play such that each song is allowed to resonate in the most powerful way.

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theartsdesk on Vinyl 49 - Part 2: Prince, Johnny Cash, Sparks, Toyah, Adrian Sherwood and more

Thomas H Green

We return, after only a week away, with Part 2 of Volume 49. Starting out with an amazing comeback from Adrian Sherwood’s Pay It All Back compilation series as Vinyl of the Month, this edition takes in everything from Prince to death metal to ambient classical.

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The Specials, Margate Winter Gardens review - ska legends passionate and on-point

Kathryn Reilly

Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was four decades ago. But is this a 40th anniversary or a number one album tour?

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Chilly Gonzales, Brighton Festival 2019 review - an intimate and exhilarating evening

Katie Colombus

Chilly Gonzales sits for so long at the piano, in his smoking jacket and slippers, before commencing his first song that I wonder if this is a John Cage moment. It’s a stark contrast to his energy at the end of the gig, where Chilly (real name, Jason Beck) is stamping both feet in marching motion, his whole body hunched and rocking, hair flicking as he pounds the low keys with virtuosic intensity.

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The Great Escape Festival 2019, Brighton review - a juicy smörgåsbord of new music from all over

Thomas H Green

Now going for over a dozen years, ever-busier since Live Nation took over its parent company in 2015, The Great Escape Festival is the annual multi-venue band showcase and music conference which sees Brighton swamped with...

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Better Oblivion Community Center, Shepherd's Bush Empire review - a winning combination

Owen Richards

Better Oblivion Community Center may be a supergroup of sorts, but the name still draws less recognition that its members (Phoebe Bridgers and Conor Oberst from Bright Eyes). Maybe it’s just too complicated to remember, because a packed Shepherd’s Bush Empire proved the band’s wide appeal – lairy lads and muso pensioners, side-by-side for a night of charm and angst.

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