New Music Reviews
Florence + the Machine, BST Hyde Park review - mastering the matriarchyMonday, 15 July 2019
It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and down like a pogo stick, whirling and spinning, or sprinting along the front of the stage to meet fans. Read more... |
Reissue CDs Weekly: John RenbournSunday, 14 July 2019
Although British folk-jazz stylists Pentangle played their first official concert in May 1967, their name is borrowed for the title of Unpentangled, a box set of their guitarist John Renbourn’s work on album which kicks off two years earlier. Read more... |
theartsdesk at the Montreal International Jazz Festival - fabulous at 40Wednesday, 10 July 2019
The Montreal Jazz Festival is vast. It attracts an audience of between 1.5 and 2 million people over its 12 nights. It has been estimated to bring the city more revenue than the Canadian Grand Prix. Read more... |
Public Service Broadcasting, Caerphilly Castle review - rising to the occasionTuesday, 09 July 2019
Among the summer gigs being held in Caerphilly this summer, it seemed a tall order for electronic/math rock instrumentalists Public Service Broadcasting to pack out a castle. They may be more current, but the others (The Stranglers, Groove Armada, The Zutons et al) at least had notable commercial periods. Read more... |
Frank Turner, King Tut's Wah Wah Hut, Glasgow review - songs about love, friendship and putting the world to rightsMonday, 08 July 2019
“When I was a small boy growing up in the south of England,” says Frank Turner - pausing just long enough for the anticipated good-natured jeering from the Scottish crowd - “I dreamed of playing the legendary King Tut’s Wah Wah Hut.” Read more... |
Reissue CDs Weekly: Jon Savage's 1965–1968, Modern & Kent Northern SoulSunday, 07 July 2019
Last month, this column pondered a vinyl-only R.E.M. reissue. Despite the mystifyingly high sales price of original pressings, reissuing a best-of mostly collecting easily available tracks seemed a tad unnecessary. Moreover, it lacked imagination. Read more... |
Stevie Wonder, BST Hyde Park review - the Master Blaster steps outSunday, 07 July 2019
Day two of the seventh BST Hyde Park concert series, and despite darkening skies the rain held off until the last hour or so, at which point anything else would have seemed inappropriate – for Stevie Wonder was about to tell us that in September he is to have a kidney transplant. Read more... |
Ministry, O2 Institute, Birmingham review – a different 4th July from Uncle AlSaturday, 06 July 2019
There can’t be many bands who have been around (on and off) for almost 40 years and who choose to play the whole of their latest album as their live set. That kind of thing is more often reserved for 10- or 20-year anniversary tours. No one could accuse Al Jourgensen and Ministry (or any of his many bands, for that matter) from having ever taken the easy route at any point in their career though. Read more... |
Glastonbury Festival 2019: hot as hell and a thousand times as funThursday, 04 July 2019
As ever theartsdesk’s Glastonbury report arrives after all other media coverage. Despite management pressure Caspar Gomez refuses earlier deadlines. He told Editorial, “The press tent is like an office, a place of work, full of laptops and coffee. Who needs that?” His annual saga doesn’t attempt to compete with Tweeted micro-reviews or ever-available BBC iPlayer festival highlights. Read more... |
Janelle Monae, SSE Wembley Arena review - strong in both sound and sentimentThursday, 04 July 2019
Janelle Monae says her show is all about making memories. She tells the crowd: “I hope that I can become a memory for you that you access when you’re feeling down – a memory that’s rooted in love and freedom.” Read more... |
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