New Music Reviews
Supersonic Festival 2019, Birmingham review - the weird and the curious get togetherWednesday, 24 July 2019
Friday 19 July Read more... |
Josh Ritter, Union Chapel review - strong songs and a boyish smileTuesday, 23 July 2019
Josh Ritter is in his early forties. He has a two-decade career with 10 studio albums (and, incidentally, a First World War novel) to his name. He has come a long way from trying out open mic nights in Providence, Rhode Island. His albums now regularly make it into the upper reaches of the US folk charts. Read more... |
Reissue CDs Weekly: Peter LaughnerSunday, 21 July 2019
“As much as I love New York City, it’s all too obvious that Cleveland is about to become the musical focal point that the Big Apple has been on and off since the beginning of the century,” wrote Peter Laughner in October 1974. Read more... |
Gossip, SWG3, Glasgow - a reunion tour worth celebratingSunday, 21 July 2019
If there was a downer during the giddy, gleeful Glasgow stop of Gossip’s recent run of shows, it was only when front woman Beth Ditto introduced the band as being “not really together but we’re here”. Read more... |
Boogarins, Jazz Cafe review - psychedelic hues and Brazilian groovesWednesday, 17 July 2019
I never quite know where I stand with with jazz. The endless, drifting circular loops of sound, subversive grooves and syncopated rhythms are like having the same conversation over and over, with slightly different turns of phrase and emphasis on different points. Read more... |
k.d.lang, Brighton Dome review - superb revival of classic albumWednesday, 17 July 2019
It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992. The album, 10 tracks that tell of the pain and pleasure of love and longing, was a huge hit with a generation of gay men and women, closeted or out, who felt it spoke directly to them. Read more... |
CD: The Flaming Lips – King’s MouthWednesday, 17 July 2019
Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and undeniably fascinating. Perhaps King’s Mouth offers our best chance yet to get in there – the album is an accompaniment to his art installation in which visitors enter a giant metallic head. Rather on the nose for a metaphor, but still a hell of an invitation. Read more... |
Elbow and New Order, Lucca Summer Festival review – a meeting of Mancunian minds?Tuesday, 16 July 2019
Thirty-three years ago, at Manchester's Festival of the Tenth Summer, I fumed that New Order had been given top billing over The Smiths, much to the mirth of a couple of reviewers of this very parish. History has proved me wrong, obviously. So, to Italy, and a modest-sized and relatively modern piazza (Napoleonic) in beguiling, ancient Lucca. Read more... |
Django Bates Belovèd Trio, Evan Parker, Wigmore Hall review – a one-off or a premiere?Monday, 15 July 2019
"Genius" is a word to be used sparingly, but Django Bates surely is one. “A musical polymath and prodigiously gifted composer” went the citation for his Ivor Award a few weeks ago. “Joyful, insouciant and insanely clever,” wrote Evan Parker in a sleeve-note describing his re-workings of Charlie Parker in Confirmation (2011), the second album with his Belovèd Trio. Read more... |
Bob Dylan and Neil Young, BST Hyde Park review - flat-out brilliant and strangely compellingMonday, 15 July 2019
It was billed as a moment of musical history: two of the great icons of rock'n'roll sharing a double-headline. A dream ticket. Except, of course, everyone knows that only one of the two acts is still a conventional performer. And it's not Bob Dylan. Throughout the afternoon men in old tour t-shirts discussed concerts they'd seen and wondered what might be in store today. The sun was shining and a... Read more... |
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