New Music Features
Opinion: Can we please kill off the guitar as cultural icon now?Tuesday, 15 February 2011
There's been a lot of waffle lately about rock'n'roll being dead. Read more...
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theartsdesk in New York: A Dirty Weekend with the New York Dolls and a Jazz PrincessSunday, 13 February 2011
I didn't realise how much I liked dirt. Especially New York dirt. I was going to do a rant about boutique designer hotels, which seem ubiquitous in Manhattan. Major case in point: the Gramercy Park Hotel, where I used to stay in the Nineties and Noughties. It was independent, a bit scruffy, with a great bar full of artists and rock'n'roll types and other degenerates, a perfect location and cost about a hundred dollars a night. Read more... |
theartsdesk in Madrid: Nuevo Flamenco Comes of AgeSunday, 06 February 2011
I am far from the first - and in very good company - to worry about the over-commercialisation of flamenco. As far back as in 1922 Manuel de Falla and Federico Garcia Lorca, respectively Spain’s greatest composer and poet of the time, decided to organise a singing competition in Granada in which only singers from the villages were allowed to enter. The polished, preening urban stars of the Café Cantantes were ineligible. My resistance to the genre was partly to do with the Gypsy Kings,... Read more... |
Opinion: Iggy's adverts are so very, very wrongTuesday, 01 February 2011
The idea of "selling out" has clung to popular music, and indeed most art forms, for a long, long time. In our postmodern techno-consumerist society it's an increasingly outdated and irrelevant concept. The book Faking It: The Quest for Authenticity in Popular Music by Hugh Barker and Yuval Taylor shrewdly takes the whole notion of selling out to pieces, from the blues of the early 20th century to Moby's deconstruction of those blues decades later. Or rather, it simply points out... Read more... |
Interview: Andy Gill, Gang of FourThursday, 20 January 2011
If you’ve never heard a Gang of Four track, you probably still know their music. Their influence is all over the Red Hot Chili Peppers, Bloc Party, Franz Ferdinand, and R.E.M to name but a few of their fans. And that's just the musical legacy. Because Gang of Four, primarily active from 1978 to 1983, if they changed anything, changed the way bands considered the role of rock music. Read more... |
Year Out/Year In: Electronic Music Digs In and Spreads OutMonday, 03 January 2011
2010 saw some major shifts stirring up the UK club music ecosystem and unleashing some fascinating hybrids and variants of existing sounds out into the wild. As the hefty bass of dubstep muscled its way firmly into the heart of the mainstream, everything else was forced to rearrange its position, with some surprising results. Read more... |
Year Out/Year In: New Music To Look ForTuesday, 28 December 2010
In the next instalment of our Year Out/Year In series, theartsdesk's New Music writers cast a critical eye over 2010, and offer some recommendations for 2011, incorporating some very funky videos. Our selection of recommended albums from the past year ranges wildly over electronica, world, jazz, indie, rock and folk. We also note some disasters and sad losses. Read more... |
The Magic Band on The Real Captain BeefheartTuesday, 28 December 2010
Captain Beefheart, who with his Magic Band made John Peel’s favourite album, 1969’s extraordinary Trout Mask Replica, died of complications from multiple sclerosis last week, aged 69.
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Unexpected Party StartersWednesday, 22 December 2010
Over the last 25 years I've done a lot of DJing, or at least playing records in public that, occasionally, people have been refreshed enough to dance to. I've done sets in all manner of scenarios, from nightclubs to house parties, to gallery events, to a Finnish festival in front of thousands, to a Balham comedy club. The last used to pay me £300 a night to play the same cheese and predictability week after week, but one evening when I put on "Fools Gold" by The Stone Roses and my... Read more... |
Captain Beefheart, 1941-2010Monday, 20 December 2010
"The way I keep in touch with the world… is very gingerly… because the world touches too hard." That honest and hugely poignant statement by the musician, composer, songwriter, painter and full-on eccentric Captain Beefheart comes from a documentary film by Anton Corbijn titled Don van Vliet: Some Yo Yo Stuff (1994). Read more... |
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