mon 17/02/2025

New Music Features

Interview: Peter Gabriel

Peter Culshaw

One of the problems with Peter Gabriel’s back catalogue for me, I tell him, as he is reclining in an office at EMI in London, is the sounds - some of them really are very dated. Gabriel would often pioneer a sound like the reverse-gated drum sound - others would imitate, it becomes trendy, over-used, and then hugely unfashionable.

Read more...

theartsdesk in Oslo: FolkeLarm Festival

Kieron Tyler

It’s almost dark. Frescoes depicting the cycle of life are barely visible. They could be shadows. Waves of sound pulse through the mausoleum of Norwegian artist Emanuel Vigeland. Fiddle player Nils Økland is feeding the 15-second delay with peals that reverberate around the space, folding back into themselves. It’s a spooky, unforgettable introduction to FolkeLarm, Oslo’s annual festival of Nordic folk music.

Read more...

Bert Jansch: 1943-2011

graeme Thomson

The great folk guitarist Bert Jansch died early this morning, aged 67. Whether as a prime mover in London's 1960s folk scene, or as part of pioneering folk-jazzers Pentangle, or as a songwriter and solo artist, his influence on everyone from Paul Simon, Donovan, Led Zeppelin and Neil Young to, later, Johnny Marr, Graham Coxon and Beth Orton is simply immeasurable.

Read more...

Zun Zun Egui: New Indie Band of the Year?

mark Kidel

In the generation of twentysomething rock musicians bottle-fed on world music, the Bristol band Zun Zun Egui really stand out. They make some of the most exciting music to have emerged in the last 12 months.

Read more...

Interview: 10 Questions for The Pierces

graeme Thomson

Formed in 2000 by thirtysomething sisters Catherine and Allison Pierce, Alabaman duo The Pierces have spent over a decade flitting from style to style and label to label, the nuggets of critical acclaim heavily outweighed by public indifference. Everything finally clicked, however, with their fourth album, You & I, which entered the UK charts at number four earlier this year.

Read more...

theartsdesk in Brasilia: Music from the Melting Pot

joe Muggs

I know nothing about Brazil, I have come to realise. A Sergio Mendes album here, a Gilles Peterson compilation there, a blurred memory of catching City of God on Film4 once – these do not add up to even the beginnings of insight into a country big and diverse enough to be more like a continent in its own right.

Read more...

theartsdesk Debate: The Art of Performance

Ismene Brown

To celebrate theartsdesk's second birthday on Friday, we held a panel discussion on The Art of Performance at Kings Place, London, in the Kings Place Festival.

Read more...

Opinion: Is The X Factor back for good?

Jasper Rees

And so it begins again. Earlier this summer I attended what has become a regular British ritual, exactly like Wimbledon and Henley, the Chelsea Flower Show and Ascot, with only one or two small discrepancies.

Read more...

ELF. Eales, Lee, Findon. Piano, Horn and... Flute?

Jasper Rees

Some things just don’t seem to belong in a pairing. The flute and the French horn both have their distinct sonic personality. It wouldn’t be going out on a limb to suggest that the average listener tends to lean towards one or the other. Even Mozart wrote for the horn out of love but trotted out his flute compositions for money. But opposites can and do attract and so it once more proves in a new recording featuring the horn and the flute and, discreetly chaperoning the pair of them, the...

Read more...

Joe Arroyo, 1955-2011

sue Steward

News about the death of Colombia's greatest salsa singer, Joe Arroyo, has sent shock waves through the salsa world and fan bases internationally, and it brought in streams of digital messages.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...