New Music Features

Opinion: Why are we so ghoulishly obsessed with self-destruction?

Paul McGee Tuesday, 26 July 2011

By and large, Adele Adkins chooses to avoid the limelight, and therefore little is known of either her personal life or her indulgences, whatever they may be. The spectacular success of 21 suggests that her audience couldn't care less either way, which I think is quite telling. Compare and contrast, on the other hand, with the shambles formerly known as Amy Winehouse.

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theartsdesk in La Rochelle: Francofolies

Kieron Tyler Tuesday, 19 July 2011

The French national holiday of 14 July might be marked by parades and fly-pasts in Paris, but here on the Atlantic coast it’s the central date for Francofolies, the annual festival dedicated to French music. La Rochelle hosted its first Francofolies in 1985. Twenty-six years on, the festival remains the premier showcase for Francophone music.

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theartsdesk in Copenhagen: The Copenhagen Jazz Festival

peter Quinn Tuesday, 12 July 2011

A game of two halves at the Opera House: The Keith Jarrett Trio

“In jazz music you have the freedom, you have the expression. You have the visceral and you have the intellectual. Everything can be expressed through jazz, and is expressed through jazz and through the medium of improvisation. This is the highest form of being able to create music.” Speaking at the opening press conference of this year's Copenhagen Jazz Festival, that definition of jazz from the 80-year-old saxophone colossus Sonny Rollins seems as self-contained and eloquent as any other I...

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theartsdesk in New Orleans: How the City Got its Groove Back

Peter Culshaw Sunday, 26 June 2011

New Orleans, that most musical city, is back, back, back, everyone told me. The tourist board said that visitor numbers are over eight million again, back to levels before “The Storm” as they refer to the devastation of Hurricane Katrina here.

theartsdesk in Montréal: Les Francofolies de Montréal

Kieron Tyler Sunday, 19 June 2011

Montréal natives The Arcade Fire sing in English. Yet 65 percent of the Québec city’s population have French as their first language. Les FrancoFolies de Montréal is Francophone Canada’s annual celebration of non-Anglo Saxon music. This year, big draws include French visitors Jeanne Moreau and Etienne Daho performing Jean Genet’s Le condamné à mort with musical accompaniment.

theartsdesk in Fes: The Festival and the Moroccan Spring

Peter Culshaw Wednesday, 15 June 2011

Strange portents – the weather is always dry and baking hot this time of year in Fes. This time it was like winter, with lashing rain and thunder for the first few days of the Fes Festival. But then things are strange in general here; events are moving fast throughout the Maghreb. The first day I was there saw a demonstration of thousands in Rabat, and a smaller one in Fes. By the last day a new constitution had been posted online, with the King renouncing some of his powers.

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theartsdesk in Aarhus: SPOT Festival 2011

Kieron Tyler Tuesday, 31 May 2011

On the Jutland coast, Aarhus is Denmark’s second largest city after capital Copenhagen. Its attractive continental atmosphere is amplified by the presence of this week’s temporary population, which includes visitors from Britain, Estonia, France, Germany, Luxembourg, the US and the other Nordic countries. They’re here for SPOT, Denmark’s annual festival showcasing homegrown music. It’s a good moment as electro-popper Oh Land is making significant waves in the States.

Opinion: Who says music isn’t good any more?

Kieron Tyler Sunday, 22 May 2011

The former Bee Gee Robin Gibb unveiled a plaque at the London home of Dusty Springfield a couple of weeks ago. At the ceremony he commented, “There’s been no one to match her. This includes the United States as well – they can’t come close to her. Today they just pose as singers.” Last October, Sir Elton John was at it too: “Songwriters today are pretty awful, which is why everything sounds the same. Contemporary pop isn’t very inspiring." Come off it, you two, great new music is out there....

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Reinventing the Record: Strange New Formats of the Digital Age

joe Muggs Thursday, 28 April 2011

While rumours of the album's demise may well have been premature, the digital age certainly does present increasing challenges when it comes to getting punters to keep and treasure music. Of course, really it all went wrong with the CD: those irritating plastic cases with hinges and catches guaranteed to snap off and get hoovered up, the booklets you have to squint to read, the discs that slide under car seats or behind radiators.

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Opinion: Time to say goodbye to the label 'World Music'

howard Male Sunday, 03 April 2011

Although the phrase “world music” was first coined by American ethnomusicologist Robert Brown in the 1960s, it didn’t become a brand, as it were, until 1987, when a bunch of London-based DJs, musicians and record company folk (including the late Charlie Gillett) met in an Islington pub and landed on the idea of putting all this foreign music under one commercially viable umbrella.