Marie (Laure Calamy), the efficient fortysomething sex worker protagonist of the French drama Her Way, doesn’t have life easy, but she calmly works the badly paid street corners of Strasbourg because she can choose her clients, some of them long-term regulars, and dictate her hours. What Marie doesn’t need is having to find €9,000 euros in a few weeks.
film reviews
Saskia Baron
Queen of Glory is a passion project, nurtured for almost 10 years as a script by Nana Mensah, who ended up not only directing the film but taking the lead role as well in order to get it made.
It’s the story of Sarah Obeng, an ambitious second-generation Ghanaian teaching at Columbia University. Her plan to move to Illinois with her lover and finish her PhD in oncology is derailed when her mother dies unexpectedly and leaves Sarah as the owner of a bookstore in the Bronx.
Sebastian Scotney
There are four main protagonists in Official Competition and they all have one thing in common: an overriding ambition to spend more time with their egos.
Graham Fuller
It’s 2022’s art-house image du jour – a self-absorbed 30-year-old running to get what she wants, irrespective of the long-term consequences to herself or anyone else.
Nick Hasted
Lee Haven Jones’ Welsh-language folk-horror debut dissects a family’s treachery to the land in eventually apocalyptic fashion. It starts in silent, jagged style, the characters seeming as artificial as their minimalist house, abstract paintings and intensely designed rooms, set down like a lunar outpost in rugged Welsh farmland.
Markie Robson-Scott
Back in 1995, the name Brandon Lee made the headlines. Not the Brandon Lee as in son of Bruce, who’d recently met his death on the set of The Crow, but a schoolboy who’d chosen to use the same name.
A strange hoax was uncovered. Lee was, in fact, Brian MacKinnon, and he was not 16 but 32, posing as a fifth-former at the august Bearsden Academy in Glasgow. He did, indeed, go back to his old school, where he was a pupil, first time around, in the 1970s.
Nick Hasted
This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a forbidden, rekindled romance between Gustave Eiffel (Romain Duris) and Arlette Bourgès (Sex Education’s Emma Mackey).
Demetrios Matheou
Writer/director Jordan Peele’s first two features were horror films with bells on, their genuinely creepy chills accompanied by sharp, satirical social comment. Both were so good that there seemed absolutely no reason to doubt the next.
Nick Hasted
Bankruptcy, rubble, rape and murder: Manhattan in the Seventies could be grim, as multiple New York punk memoirs make clear. The trade-off was the art, steaming and burning in the stinking, crucially cheap degradation. Punk was just one symptomatic part of a crumbling Lower East Side where old Beats, folkies, jazzers, poets, theatre, film and visual artists also lived.
Graham Fuller
Give Them Wings is the biopic of Paul Hodgson, who seven months after he was born in 1965 was diagnosed with meningococcal meningitis. If that wasn’t bad enough, he survived his precarious childhood to become a devout fan of Durham’s hapless Darlington FC – it’s criminal that this low-budget British indie wasn’t titled Give Them Wingers.