dance
Dracula, Mark Bruce Company, Tobacco Factory, BristolSaturday, 28 September 2013![]()
The rich cocktail of sex, bestiality and possession that lies at the heart of the vampire myth is a perennial crowd-pleaser, a surefire frightener set in an all-too-familiar discomfort zone. Mark Bruce’s rich and reference-laden take on Bram Stoker’s 1897 classic presents a Transylvanian count who is both Everyman and Other. Read more... |
Thinking With the Body, Wellcome CollectionThursday, 19 September 2013![]()
While the main gallery is closed for renovation, the Wellcome Collection has taken the opportunity to mount a fascinating upstairs show exploring the way choreographer Wayne McGregor collaborates with scientists. Read more... |
Flamenco: Gypsy Soul, BBC FourMonday, 26 August 2013![]()
Here's an association test - what's next in the sequence: flamenco, gypsy, soul? Yes, you win the free tourist trip to Andalucía along with writer Elizabeth Kinder, with whom you will almost certainly enjoy weak sangria and tapas while stumbling amusingly in bad Spanish, and you won't be troubled by a single unfamiliar thought about this alluring form of dance, music and poetic song. Read more... |
The Flames of Paris, Bolshoi Ballet, Royal Opera HouseMonday, 19 August 2013![]()
The Bolshoi left it till last to be most itself, to dance a ballet that is truly of its blood, its seed - its closing on Alexei Ratmansky's The Flames of Paris will leave much happiness in the memory to override the problematic productions of classics, the unidiomatic Balanchine and the awful backstage events. Read more... |
Jane Eyre, Shanghai Ballet, London ColiseumThursday, 15 August 2013![]()
For their first visit to the UK, Shanghai Ballet have brought a narrative ballet based on a Chinese theatrical version of Jane Eyre. It focuses on Bertha Mason, Mr Rochester’s mad wife in the attic, whose fate has often troubled readers, though the Shanghai narrative does not ask about the economic and social conditions of exploitation, the colonialism and sexism that have trapped her. Read more... |
Jewels, Bolshoi Ballet, Royal Opera HouseTuesday, 13 August 2013![]()
The Bolshoi’s summer season in London has so far been straight-down-the-line trad: Swan Lake as an opener, Bayadère, Sleeping Beauty. Now, however, with Balanchine’s Jewels, they’ve at least dipped a pointe shoe into the 20th century, if rather cautiously. Read more... |
The Sleeping Beauty, Bolshoi Ballet, Royal Opera HouseTuesday, 06 August 2013![]()
The Bolshoi Theatre reopened in late autumn 2011 after a problematic six-year refurbishment said to have cost a tidy billion dollars, many times its original estimate thanks to corruption - it needed a corker of a ballet premiere to pop the eyes of a cynical Russian public, and it set upon a new staging of The Sleeping Beauty. Read more... |
La Bayadère, Bolshoi Ballet, Royal Opera HouseSunday, 04 August 2013![]()
It’s unspeakably bad for so many reasons that the injured Bolshoi Ballet director Sergei Filin cannot be in London to see his company perform, and one is that he can’t see his protegée Olga Smirnova revealing herself to us as destined to be one of the great ballerinas of this era. Read more... |
Carlos Acosta, Classical Selection, London ColiseumWednesday, 31 July 2013![]()
The mighty adorable Carlos Acosta is at the London Coliseum this week in all his might and all his adorableness - four times, you may like to know, he appears without his shirt on. Read more... |
Swan Lake, Bolshoi Ballet, Royal Opera HouseTuesday, 30 July 2013![]()
Everyone must be wishing the Bolshoi Ballet a swift return to company health after the tragic events of this year, as well as a return to physical health by their horribly injured artistic director - in the circumstances it’s heroic that they have got to London at all, let alone in such good performing order as they showed last night. Read more... |
Pages
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive...

A traditional Korean house has appeared at Tate Modern....

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...

Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist...

The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie...

Purporting to be a documentary about John Lennon in the 1970s, Borrowed Time is no such thing....

PUP’s Who Will Look After The Dogs? is a raw and emotionally charged album that captures the band’s chaotic spirit while showing clear...

It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily works to the benefit of...