sun 03/07/2022

dance

The unexpurgated Clement Crisp - in memoriam

Ismene Brown

To the international world of ballet, Clement Crisp was the British critic to fear for half a century.

Read more...

RIP dancer and photographer Colin Jones - obituary

Ismene Brown

In the ballet world, Colin Jones, who died on 22 September aged 85, was famous for being married, for a while, to the great Royal Ballet ballerina Lynn Seymour, during his brief career as a dancer with the company. In the wider world, however, Jones was renowned as a photographer of unusual empathy and social conscience, as well as a striking eye. A Sunday Times critic once described him as "the George Orwell of photojournalism".

Read more...

theartsdesk Q&A: choreographer Christopher Scott

Jenny Gilbert

Having won recognition for his streetdance routines on American TV’s So You Think You Can Dance, choreographer Christopher Scott was asked to help bring Lin-Manuel Miranda’s pre-Hamilton stage hit to the big screen. In The Heights was shot entirely on location on the streets of Washingt

Read more...

'She was revolutionary': Tanztheater Wuppertal's new director on the legacy of Pina Bausch

Jenny Gilbert

Ten years on from the death of its founder-choreographer, the Pina Bausch company finds itself at a crossroads, unwilling to limit itself to endless revivals of hits such as Café Muller or Rite of Spring, yet equally unwilling to relinquish the back catalogue altogether.

Read more...

'I wrote a letter to Björk in Icelandic and it did the trick': Helgi Tomasson on an intervention that saved a ballet

Jenny Gilbert

Visits from major foreign ballet companies are always news, but a two-week London season by one of America’s “big three” is something to get excited about. San Francisco Ballet doesn’t rest on its laurels.

Read more...

'It’s more fun to dance in a tutu': Tory Dobrin of Les Ballets Trockadero de Monte Carlo

Jenny Gilbert

Forty years on from its beginnings as part of New York's gay lib movement, Les Ballets Trockadero de Monte Carlo is playing to a global, largely straight audience. As the company launches a major UK tour, starting this week at the Peacock Theatre in London, its director of 28 years analyses its longevity.

Read more...

Koen Kessels: 'there's a joke in ballet we only have two tempi' - interview

Hanna Weibye

Koen Kessels is on a mission to change the culture around music in ballet. Anyone who has heard the Belgian conduct will know that he is the right person for the job: Kessels makes the classic scores come alive in the pit like nobody else I’ve heard.

Read more...

Brighton Festival 2017: 12 Free Events

Thomas H Green

The Brighton Festival, which takes place every May, is renowned for its plethora of free events. The 2017 Festival is curated by Guest Director Kate Tempest, the poet, writer and performer, alongside Festival CEO Andrew Comben who’s been the event's overall manager since 2008 (also overseeing the Brighton Dome venues all year round). This year the Festival’s theme is “Everyday Epic”.

Read more...

10 Questions for Choreographer Charles Linehan

Thomas H Green

Charles Linehan is an acclaimed British choreographer, whose company has performed all over the world, from DanSpace New York to Brussels’ Kaai Theatre to the Venice Biennale. Born in Cyprus and raised in Kent, he studied at the Rambert School of Ballet and Contemporary Dance, prior to honing his craft as a dancer with various European companies.

Read more...

10 Questions for Choreographer Matthew Bourne

Hanna Weibye

Choreographers are not generally household names, but Matthew Bourne must come close. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal celebrations, his pieces have also been seen on Sky, on the BBC, and on film, most famously when his Swan Lake featured at the end of the 2000 movie Billy Elliot.

Read more...

Pages

latest in today

Music Reissues Weekly: Ferkat Al Ard - Oghneya

Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....

Mick Jagger: My Life as a Rolling Stone review, BBC Two - th...

At the beginning of this film, Mick Jagger says: “What most...

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre re...

Pinocchio is one of our most irreverent metamorphosis stories, and in this visually ingenious blend of...

The Undeclared War, Channel 4 review - how would the UK cope...

As the world lurches ever deeper into multiple manifestations of chaos,...

Katya Adaui: Here Be Icebergs review - odd relations

The title of Katya Adaui’s debut collection in English is taken from one of the 12...

Joe Lycett, Eventim Apollo review - prankster goes long-form

Joe Lycett’s career was on an upward trajectory when he took on hosting duties on The Great British Sewing Bee, and the crafting show...

The Bobby Lees, Hare & Hounds, Birmingham review - rock’...

In a week when all kinds of people were going bonkers over an octogenarian playing songs from over 50 years ago to tens of thousands of people in...

Album: Imagine Dragons - Mercury - Act 2

“What happens in Vegas, stays in Vegas.” That’s the rule, right? Unless, of course, what happens is that you form a...