wed 25/12/2024

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

Matthew Bourne's Romeo and Juliet, Sadler's Wells review - heart-stopping drama

Read more...

The Bright Stream, Bolshoi Ballet review - a gem of a comedy

Read more...

Spartacus, Bolshoi Ballet, Royal Opera House review - no other company could pull this off

Read more...

The Firebird triple bill, Royal Ballet review - generous programme with Russian flavour

Read more...

Shostakovich Trilogy, San Francisco Ballet, Sadler's Wells review - less than the sum of its parts

Read more...

Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

Read more...

Swan Lake, Royal Ballet review - beautiful, heartfelt

Read more...

Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videos

Read more...

Voices of America, English National Ballet review - a punchy programme of contemporary ballet

Read more...

Bernstein triple bill, Royal Ballet review - epic ambitions unfulfilled

Read more...

Giselle, Royal Ballet review - beautiful dancing in a production of classic good taste

Read more...

Song of the Earth/La Sylphide, English National Ballet review - sincerity and charm in a rewarding double bill

Read more...

Sylvia, Royal Ballet review - Ashton rarity makes a delicious evening

Read more...

Kenneth MacMillan, Royal Opera House review - a sprite proves merciless

Read more...

A Celebration of Sir Kenneth MacMillan, Northern Ballet review - a brave and worthy tribute

Read more...

Alice's Adventures in Wonderland, Royal Ballet review - a feast of visual delights

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

10 Questions for Mark Gatiss, writer-director of 'A Gho...

There are no white-sheeted ghosts in this year’s A Ghost Story for Christmas. The...

All Creatures Great and Small, Christmas Special, Channel 5...

Since its revival in 2020, All Creatures Great and Small has drawn big audiences internationally and become Channel 5’s biggest hit, even...

Travis, OVO Hydro review - a Christmas night out with some r...

Travis arrived onstage with the theme tune from classic sitcom Cheers as an accompaniment. The cavernous OVO Hydro might not be a place...

Nosferatu review - Lily-Rose Depp stands out in uneven horro...

Robert Eggers' strength as a director is his ability to bring historical periods alive with gritty, tactile realism. He does this...

First Person: cellist Matthew Barley on composing and record...

For many thousands of years, humans have turned to art to tell stories about themselves and others because it feels good. It feels good because we...

Death in Paradise Christmas Special, BBC One review - who ki...

Though Death in Paradise is an Anglo-French production filmed in Guadeloupe, in the French West Indies, the Frenchness seems to have...

The English Concert, Bicket, Wigmore Hall review - a Baroque...

Enough is as good as a feast, they say. But sometimes, especially at Christmas, you crave a properly groaning table. At the Wigmore Hall, The...

The Unthanks in Winter, Cadogan Hall review

A suitable place to find yourself out for the winter solstice, buttoning up for the longest night of the year, was at the Cadogan Hall off Sloane...

Albums of the Year 2024: Everything Everything - Mountainhea...

There are some years where my pick for album of the year is obvious; something stands out so...