fri 24/01/2025

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

Matthew Bourne's Romeo and Juliet, Sadler's Wells review - heart-stopping drama

Read more...

The Bright Stream, Bolshoi Ballet review - a gem of a comedy

Read more...

Spartacus, Bolshoi Ballet, Royal Opera House review - no other company could pull this off

Read more...

The Firebird triple bill, Royal Ballet review - generous programme with Russian flavour

Read more...

Shostakovich Trilogy, San Francisco Ballet, Sadler's Wells review - less than the sum of its parts

Read more...

Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

Read more...

Swan Lake, Royal Ballet review - beautiful, heartfelt

Read more...

Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videos

Read more...

Voices of America, English National Ballet review - a punchy programme of contemporary ballet

Read more...

Bernstein triple bill, Royal Ballet review - epic ambitions unfulfilled

Read more...

Giselle, Royal Ballet review - beautiful dancing in a production of classic good taste

Read more...

Song of the Earth/La Sylphide, English National Ballet review - sincerity and charm in a rewarding double bill

Read more...

Sylvia, Royal Ballet review - Ashton rarity makes a delicious evening

Read more...

Kenneth MacMillan, Royal Opera House review - a sprite proves merciless

Read more...

A Celebration of Sir Kenneth MacMillan, Northern Ballet review - a brave and worthy tribute

Read more...

Alice's Adventures in Wonderland, Royal Ballet review - a feast of visual delights

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...

There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...

The Lonely Londoners, Kiln Theatre review - Windrush Generat...

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...

Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...

Album: Ludovico Einaudi - The Summer Portraits

Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...

Prime Target, Apple TV+ review - the appliance of science

An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...

Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...

Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...

Amelia Coburn, Komedia, Brighton review - short set from ris...

The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...

The Brutalist review - we're building to something

There’s a moment, as we build to a climax in Brady Corbet’s first film, The Childhood of a Leader (2015), when a servant at a...

Album: FKA Twigs - Eusexua

It would be really easy to get hung up on the definition for this album. Is it a new sexuality term? A holiday genre of technopop? A planet that...