fri 18/07/2025
Home > users

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

Dancing Cheek to Cheek, BBC Four

Tuesday, 18 November 2014 Read more...

Ceremony of Innocence/The Age of Anxiety/Aeternum, Royal Ballet

Saturday, 08 November 2014 Read more...

TOROBAKA, Israel Galván & Akram Khan, Sadler's Wells

Tuesday, 04 November 2014 Read more...

Thomas Adès, See the Music, Hear the Dance, Sadler's Wells

Saturday, 01 November 2014 Read more...

theartsdesk Q&A: Choreographer Akram Khan

Wednesday, 29 October 2014 Read more...

theartsdesk Q&A: Choreographer Wayne McGregor

Monday, 27 October 2014 Read more...

Ashton Mixed Bill, Royal Ballet

Sunday, 19 October 2014 Read more...

Shadows of War, Birmingham Royal Ballet, Sadler's Wells

Saturday, 18 October 2014 Read more...

Lord of the Flies, Matthew Bourne's New Adventures, Sadler's Wells

Friday, 10 October 2014 Read more...

Grupo Corpo, Sadler's Wells

Thursday, 02 October 2014 Read more...

Manon, Royal Ballet

Saturday, 27 September 2014 Read more...

The Murmuring/ Metheus/ Mesmerics, BalletBoyz, Linbury Studio Theatre

Wednesday, 17 September 2014 Read more...

KnowBody, Sadler's Wells

Saturday, 13 September 2014 Read more...

Sampling the Myth, Royal Ballet

Monday, 08 September 2014 Read more...

Edinburgh Fringe 2014: Circa, Beyond

Thursday, 28 August 2014 Read more...

Patrias, Paco Peña Flamenco Company, Edinburgh Playhouse

Thursday, 28 August 2014 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...

Poor Clare, Orange Tree Theatre review - saints cajole us si...

What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons...

That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...

Hamlet, Buxton International Festival review - how to re-ima...

Ambroise Thomas’s version of Hamlet is the flagship production of this year’s Buxton International Festival and was always going to be a...

Friendship review - toxic buddy alert

The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have...

Album: Slikback - Attrition

In the eternal now of the strobe-lit sweatbox, innovation functions in a different way to the rest of culture. Yes of course, the thrill of the...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...