dance
La Bayadère, The Royal BalletSunday, 07 April 2013
Jane Austen would approve, I think, of the plot of La Bayadère, which is about class and wealth getting in the way of love. She might have difficulty with the setting. It is a grand, exotically located ballet offering us an fantastical India of Rajahs, tiger-hunts and sex-slaves - or rather temple-dancers, whose job is to carry holy water to the needy and put up with the unwanted lust of the High Brahmin. Read more... |
Laurencia, Mikhailovsky Ballet, London ColiseumWednesday, 03 April 2013
It’s not often you go to a ballet to watch a history lesson unfold, but Laurencia, the 1939 Soviet ballet choreographed by Vakhtang Chabukiani, gives us exactly that, and a gripping one under the froth and fun. Read more... |
Don Quixote, Mikhailovsky Ballet, London ColiseumSunday, 31 March 2013
If you want virtuosity, there’s only one place to be in London right now, and that’s watching the Mikhailovsky’s fine production of that demented old warhorse, Don Quixote, with Natalia Osipova and Ivan Vasiliev in the leads. Read more... |
Giselle, Mikhailovsky Ballet, London ColiseumWednesday, 27 March 2013
When the Bolshoi’s wunderkinder, Natalia Osipova and Ivan Vasiliev, suddenly left the company two years ago, the dance world played endless guessing-games as to where they would end up. It was like Claude Rains in Casablanca: round up the usual suspects. Read more... |
Israel Galván/ Farruquito, Flamenco Festival, Sadler's WellsTuesday, 26 March 2013
The annual Sadler’s Wells Flamenco Festival is a hidden treasure-house of brilliance, too quietly sneaking into London in the unappealing limbo between winter and spring, but surely one of the great global gatherings of the dazzling individualists in this mysterious dance form. Read more... |
theartsdesk in Moscow: Sergei Polunin triumphs in MayerlingMonday, 25 March 2013
Quite simply, the performance was one of those rarest of events in the theatre that will be talked about for generations - the Russian premiere of Kenneth MacMillan’s Mayerling, with the former Royal Ballet star Sergei Polunin making his debut as Crown Prince Rudolf. Read more... |
Aladdin, Birmingham Royal Ballet, London ColiseumThursday, 21 March 2013
“Possibly the least ‘deep’ ballet I’ve ever made” - these are the words that David Bintley uses to describe his latest full-length work Aladdin, and they make rather a discouraging start to any evening. "Light" isn’t necessarily bad – work created in such a manner can often end up communicating something deeper come their unveiling. Read more... |
The Metamorphosis, Linbury Studio Theatre, Royal Opera HouseTuesday, 19 March 2013
“As Gregor Samsa awoke one morning from a troubled dream, he found himself transformed in his bed into a monstrous insect.” In one of the most famous opening lines in literature, Franz Kafka gives birth to a startling hallucinogenic premise. And Arthur Pita’s very clever dance drama produces something of a similar jolt in its precision and strangeness. Read more... |
Alice's Adventures in Wonderland (2013), Royal BalletSaturday, 16 March 2013
Art is a fickle subject – hence why many preeminent philosophers offer different theories as to how we can begin to understand the opposing effect the same object or creation can have on different people. Many can be mildly affected by a given entity, but occasionally something bigger can happen – some might say a revelation of sorts. And such a thing took place for me at the Royal Opera House yesterday evening. Read more... |
Russian Ballet Icons Gala: Celebrating Vaslav Nijinsky, London ColiseumMonday, 11 March 2013
What does _ _ _ _ mean to you? What does _ _ _ _ mean to us all? Questions asked every day by all kinds of people the world over. These same questions were posed last night at the London Coliseum about the doyen of 20th-century dance and choreography, Vaslav Nijinsky, at one of the Russian Ballet Icons galas that annually pack in an audience mostly made up of the Russian community London has now come to call its own. Read more... |
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