Classical Reviews
El Niño, LSO, Adams, BarbicanMonday, 05 December 2016
Second and third times lucky: after the migraine-inducing multimedia overload of Peter Sellars's premiere production of El Niño, first seen in London in 2003 and subsequently excoriated in eloquent prose by the composer himself, John Adams's layered masterpiece has had two further performances here proving that the drama is all in the music. Vladimir Jurowski's 2013 Festival Hall... Read more... |
Classical CDs Weekly: Prokofiev, Daniel Röhn, AyreheartSaturday, 03 December 2016
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Uchida, Mahler Chamber Orchestra, RFHWednesday, 30 November 2016
Leonard Bernstein once said that his favourite piece of Stravinsky was whatever one he happened to be listening to. I have a similar feeling about Mozart piano concertos: I love them all in their turn, and last night I heard Mitsuko Uchida bring two of the greatest of them to life, as pianist and director, alongside the Mahler Chamber Orchestra. Read more... |
Douglas, LSO, Søndergård, BarbicanWednesday, 30 November 2016
Thomas Søndergård stood in for this concert at a day’s notice – Valery Gergiev is apparently recovering from a knee operation and unable to travel. He left behind a curious programme, centred around Prokofiev’s quirky but dour Sixth Symphony. It’s a difficult work to schedule, but Gergiev added two sweeteners, Tchaikovsky’s Romeo and Juliet and First Piano Concerto. Read more... |
Total Immersion: Richard Rodney Bennett, BarbicanMonday, 28 November 2016
Send in the paradoxes. Richard Rodney Bennett (1936-2012) had been so obsessed as a young man by music of the avant-garde, he would hitch-hike to Darmstadt to be in the same room as his (then) idols Berio, Maderna, and Boulez. He and Cornelius Cardew premiered important works by Boulez in the UK. And yet this was the same man who would later write, sing and play a cabaret song, “Early to Bed”, based on an endearing habit of Blossom Dearie. Read more... |
Classical CDs Weekly: Elgar, Mahler, Georges PrêtreSaturday, 26 November 2016
Elgar Remastered (Somm)
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Large, Hudson Shad, BBCSO, Gaffigan, BarbicanThursday, 24 November 2016
Has there ever been a more pertinent time to revive the poetic mythologies of Brecht and Weill? The writer said that the good-life-for-dollars city of Mahagonny was not exclusively an American state of mind and should be set in any country where it's performed. But the inverted morality tale of The Seven Deadly Sins explicitly references seven American cities. Read more... |
Classical CDs Weekly: Beethoven, Schubert, TostiSaturday, 19 November 2016
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CBSO, Gražinytė-Tyla, Symphony Hall BirminghamThursday, 17 November 2016
Is there anything on a concert programme more guaranteed to make the heart lift – or to prove that a conductor has their musical priorities straight – than a Haydn symphony? If you're tired of Haydn, you're tired of life: there’s no music more joyous, more inventive or more resistant to vanity. Mirga Gražinytė-Tyla chose his Symphony No 6 of 1761, called Le Matin for its opening sunrise and the freshness of its ideas, and it was a delight. Read more... |
Grande Messe des Morts, BBCSO, Roth, RAHMonday, 14 November 2016
Lest we forget. On Flanders’ Fields. For the Fallen. No one does stiff-upper-lip, buttoned-up remembrance quite like the English. Since its composition only a little over half a century ago, the War Requiem has become our national anthem for the departed. Read more... |
okofiev: Romeo and Juliet (Complete) Oslo Philharmonic Orchestra / Vasily Petrenko (Lawo Classics)
Beethoven: Piano Sonatas Op. 90, Op. 101 and Op. 106 Steven Osborne (Hyperion)Pages
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