Classical Reviews
Royal Concertgebouw Orchestra, Gatti, BarbicanTuesday, 20 December 2016
Time was when the principal conductor of a top orchestra could afford to refine mastery of a small and familiar repertoire, covering a century and a half of music at most. The rest he (always he) would leave to loyal or youthful lieutenants. The days of such podium dinosaurs are numbered. Read more... |
Crowe, La Nuova Musica, Bates, St John's Smith SquareTuesday, 20 December 2016
Five seconds of cadenza in Mozart's Exsultate Jubilate would be enough to tell you that there's no more magical stylist among sopranos than Lucy Crowe. In an evening of Allelujas, Glorias and heartfelt Amens beautifully modulated by director of sprightly La Nuova Musica David Bates - henceforth David Peter Bates - hers was the central spot, and you wanted it to go on for ever. Read more... |
In Search Of Julius Eastman, London Contemporary Music FestivalMonday, 19 December 2016
Certain places and times are a vortex of creativity for music, collective fever points of innovation. Paris in the 1920s was one, New York in the 1970s another. Within a few years within a mile or two in Manhattan several music forms were essentially invented that went global – including disco, hip hop, punk and New York’s variant of salsa. It was also when the Minimalism of the likes of Philip Glass and Steve Reich began to find a large audience. Read more... |
Classical CDs Weekly: Christmas 2016 (part 2)Saturday, 17 December 2016
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St Lawrence String Quartet, Wigmore HallWednesday, 14 December 2016
John Adams, let's face it, was the reason many of us came to hear the St. Lawrence String Quartet. Their performances and recordings as dedicatees of his labyrinthine First String Quartet and Absolute Jest, in which the four players function as soloist with orchestra, led to high hopes for the UK premiere of a second quartet. As it turned out, the yield was smaller beer than expected. Read more... |
Monteverdi Choir, English Baroque Soloists, Gardiner, BarbicanTuesday, 13 December 2016
Add three natural trumpets, flawlessly wielded, to chorus and standard period-instrument orchestra, and the seasonal spirit will flow no matter the context. Read more... |
Corkin, Siglo de Oro, Allies, Shoreditch ChurchMonday, 12 December 2016
Advent is as profitable for choirs as it is tricky to programme. How to delight the palates of carol-hungry audiences while offering them new treats? How to reconcile the fairy-lights of ubiquitous consumption and satiation with the Biblical call of the season as a time to wait, take stock and look forward? Read more... |
Gerald Finley, Antonio Pappano, BarbicanMonday, 12 December 2016
This would have been an intriguing recital at any time. But in the context of Brexit, a programme of songs in a second language, of music expressing composers’ fascination with another country, another landscape, another sound-world, had a poignancy that was hard to ignore. Read more... |
Josefowicz, LSO, Adams, BarbicanFriday, 09 December 2016
Praise be to the spell cast by top players on great composers. Without the phenomenon that is Leila Josefowicz, John Adams would never have created his often prolix, fitfully hair-raising Scheherazade.2, more "dramatic symphony" for violin and orchestra than a concerto like his earlier work for the same combination (though that, too, is far from straightforward). Read more... |
Igor Levit, Wigmore HallWednesday, 07 December 2016
Igor Levit began his recording career with Beethoven’s last three piano sonatas, and his deeply felt, impressively mature readings made his name. Now he is performing a full cycle at the Wigmore Hall, and his take on the earlier sonatas turns out to be very much in the same spirit. There is little sense of Classical reserve in Levit’s early Beethoven; instead everything is performed in an intensely expressive style. It’s impulsive and unpredictable, with huge contrasts of dynamic and tempo... Read more... |
Bach: Christmas Oratorio Dunedin Consort/John Butt (Linn)Pages
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