Classical Reviews
Two-Piano Gala, Kings Place review - shining constellationsSunday, 12 October 2025
Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works, each perfect in their proper place across two and a half hours of more or less continuous music. Above all, applaud the artistic directors of the London Piano Festival, Katya Apekisheva and Charles Owen, for choosing so unerringly how and with whom to celebrate this spectacular’s 10th anniversary. Read more... |
Echo Vocal Ensemble, Latto, Union Chapel review - eclectic choral programme garlanded with danceTuesday, 07 October 2025
Echo Vocal Ensemble have their genesis in Genesis. Sarah Latto’s group were initially formed by a cohort of the Genesis Sixteen young artists’ programme – and she has turned them into one of the most innovative vocal groups around. The programme at Union Chapel on Sunday night was a good example of their approach, with eclectic repertoire, new commissions, improvisation, a smattering of classics – and a loose-limbed dancer adding a visual element. Read more... |
Scott, Irish Baroque Orchestra, Whelan, RIAM, Dublin review - towards a Mozart masterpieceMonday, 06 October 2025
One miracle of musical performance is that a work you’ve loved for years can be revealed as never before in an outstanding interpretation. That happened to me last week at the New Ross Piano Festival when 22-year-old pianist Magdalene Cho turned us upside down in Bach’s Sixth Partita. It happened again last night when Peter Whelan and his Irish Baroque Orchestra hit 1788 with one of the three symphonic masterpieces Mozart composed in a single summer, the 39th. Read more... |
France, LPO, Gardner, RFH review - the sound of other worldsSaturday, 04 October 2025
Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic. In 2008, I enthusiastically reviewed a strange, poetic, almost Beckett-like novella by the writer and music critic Paul Griffiths. Read more... |
Kanneh-Mason, Britten Sinfonia, Shave, Milton Court - a grin and a big beaming smileFriday, 03 October 2025
Schubert’s Fifth Symphony is one of those pieces whose existence in the modern world hangs on the most tenuous of threads. After its posthumous premiere the score was lost for half a century before a set of parts resurfaced, and the work was saved for posterity. Read more... |
Lapwood, Hallé, Wong, Bridgewater Hall, Manchester review - journeys into spaceFriday, 03 October 2025
Kahchun Wong’s second Bridgewater Hall concert of the new season was partly an introduction to the Hallé’s artist-in-residence for 2025-26, Anna Lapwood. The star organist brought a new piece by Max Richter for organ, choir and orchestra and a recent one by Olivia Belli for organ solo – both on the theme of space travel. Read more... |
theartsdesk at the New Ross Piano Festival - Finghin Collins’ musical rainbowFriday, 03 October 2025
High on the hill of fascinating New Ross in County Wexford sits its greatest treasure, the ruined 13th century Gothic beauty of St Mary’s. Unless you come at it from the east, its glories are concealed behind the working church which completes it and takes the place of the old nave, built in 1813 and “improved” twice later that century. Read more... |
Goldscheider, Brother Tree Sound, Kings Place review - music of hope from a young composerSaturday, 27 September 2025
Last night’s concert at Kings Place was a programme of contemporary pieces – including several premieres – by horn superstar Ben Goldscheider and string quartet Brother Tree Sound, “curated”, as the current lingo has it, by young composer Ben Nobuto, whose high-spirited and invigorating music finished things on a high. Read more... |
Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester review - moving lyricism in Elgar’s concertoFriday, 26 September 2025
Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist in their performance of Elgar’s Cello Concerto in the season’s opening concert at the Bridgewater Hall (Truls Mørk having had to withdraw). Read more... |
Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manchester review - joy, insight, imagination and unanimityWednesday, 24 September 2025
The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester Camerata that marked the 50th anniversary of the start of the RNCM’s Junior Fellowship programme. Read more... |
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