Classical Reviews
Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinburgh review - rarities, novelties and drumrollsFriday, 24 October 2025
The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of the status of Alina Ibragimova as both soloist and guest director for this concert. Read more... |
Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review - string things zing and sing in expert handsThursday, 23 October 2025
It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John Wilson and his Sinfonia of London. Read more... |
From Historical to Hip-Hop, Classically Black Music Festival, Kings Place review - a cluster of impressive stars for the futureTuesday, 21 October 2025
To hear Kadiatu Kanneh-Mason speaking live is to hear a woman who very much recognises that her lifelong mission to challenge the perception of who should play classical music is ongoing. Though she has given birth to seven children who have gone on to be stand out classical musicians, she knows that there are still those who deny them the recognition they deserve because of the colour of their skin. Read more... |
Shibe, LSO, Adès, Barbican review - gaudy and glorious new music alongside serene SibeliusMonday, 20 October 2025
Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula at the Barbican last night, with three pieces written since 2000 offset by just one familiar item, Sibelius’s Third Symphony. The result was invigorating, challenging – and very enjoyable. Read more... |
Anja Mittermüller, Richard Fu, Wigmore Hall review - a glorious hall debutSunday, 19 October 2025
Helping to build the careers of superb young singers is what Wigmore Hall has done for decades: I still remember Olaf Bär’s debut in the hall in 1983, having won the Walther Gruner Lieder competition, and also Matthias Goerne’s in 1997. Read more... |
Gesualdo Passione, Les Arts Florissants, Amala Dior Company, Barbican review - inspired collaboration excavates the music's humanitySaturday, 18 October 2025
This powerful, austere collaboration between Les Arts Florissants and the Amala Dianor Company – presented as part of Dance Umbrella – excavated all the violence, grief and transcendence of the events surrounding Christ’s betrayal and crucifixion. Read more... |
Cockerham, Manchester Camerata, Sheen, Martin Harris Centre, Manchester review - re-enacting the dawn of modernismFriday, 17 October 2025
Manchester Camerata have had a ten-year association with composer-conductor Jack Sheen. For this short programme, one of the free Walter Carroll Lunchtime Concert series at the Martin Harris Centre in the University of Manchester, he and they created a partial re-enactment of the January 1914 inaugural concert of the Société Musicale Indépendante in Paris. To works by Stravinsky, Delage and Ravel were added two UK premieres, by Sheen himself and by Isabella Gellis. Read more... |
Kempf, Brno Philharmonic, Davies, Bridgewater Hall, Manchester review - European tradition meets American jazzWednesday, 15 October 2025
Dennis Russell Davies and his musicians from the Czech Republic’s second city began a UK tour last night with an enterprising programme and a large and appreciative audience in Manchester. Read more... |
Solomon, OAE, Butt, QEH review - daft Biblical whitewashing with great chorusesMonday, 13 October 2025
Forty years ago, the Orchestra of the Age of Enlightenment was born, and I heard Handel’s Solomon in concert for the first time. Charles Mackerras’s sprightly performance convinced me it was a masterpiece. Now I’m not so sure, despite the presence of two national singing treasures, Nardus Williams and Helen Charlston, and great double choruses superbly delivered by 32 vibrant voices under the ever-reliable guidance of John Butt. Read more... |
Two-Piano Gala, Kings Place review - shining constellationsSunday, 12 October 2025
Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works, each perfect in their proper place across two and a half hours of more or less continuous music. Above all, applaud the artistic directors of the London Piano Festival, Katya Apekisheva and Charles Owen, for choosing so unerringly how and with whom to celebrate this spectacular 10th anniversary. Read more... |
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