Classical Reviews
SCO, Ilias-Kadesha, Queen’s Hall, Edinburgh review - Eastern promise sputters outMonday, 15 January 2024
Violinist Jonas Ilias-Kadesha was placed front and centre of the publicity for this concert. This is his first season concert with the SCO, though back in 2019 he stood in for an indisposed soloist at short notice for one of their European tours. Inviting him back is a vote of confidence, so I was looking forward to hearing him as soloist in Mozart’s Violin Concerto No. 5 and Ravel’s Tzigane. Read more... |
Boris Giltburg, Wigmore Hall review - epic heaven and hellTuesday, 09 January 2024
With rapid, sleight-of-hand flicks between calm assurance and demonic agitation, Boris Giltburg turned in a coherent and epic recital that won’t be surpassed in 2024. Most pianists would quake simply at the thought of performing the four Chopin Scherzos in sequence; Giltburg set them up with phenomenal insights into Scriabin and Schumann. Read more... |
Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themesFriday, 29 December 2023
To understand the ambition of baritone James Newby, it helps to look up his video of Handel’s “Cara Pianta” from Apollo e Dafne. It would be remarkable by any standards for the fact that his head becomes gradually submerged by water while he’s delivering it, but Radiohead fans will also recognise it as a stylish parody of No Surprises performed by Thom Yorke. Read more... |
Polyphony/OAE, Layton, St John's Smith Square review - truncated triumphSaturday, 23 December 2023
Prior to their Messiah, due this evening, Stephen Layton’s choir Polyphony brought a version of Bach’s Christmas Oratorio to the seasonal festival at St John’s Smith Square. You can of course slice and serve Bach’s majestic 1730s combination of musical leftovers (both sacred and secular) and fresh dishes in a variety of ways. But Layton’s choice spun a special mood of its own. Read more... |
Siglo de Oro, Spinacino Consort, Allies, Wigmore Hall review - a fun 17th century musical ChristmasSaturday, 23 December 2023
The Wigmore Hall, the high church of Beethoven and Brahms, hosted something less elevated last night: a programme called “Hey for Christmas” presented by vocal ensemble Siglo de Oro and period instrument band Spinacino. The conceit was of recreating a mid-17th century English family’s musical diet through the Christmas season. And it was a whole lot of fun. Read more... |
Jansen, Ridout, Blendulf, Kozhukhin, Wigmore Hall review - Brahms in excelsisSaturday, 23 December 2023
Reviewing, they say, never gets easier. How can one possibly describe chamber music playing as good, as stupendously memorable, as last night’s all-Brahms programme from Dutch violinist Janine Jansen, English violist Timothy Ridout, Swedish cellist Daniel Blendulf and Russian-born pianist Denis Kozhukhin? (Clue: skip to the end for a three-word version.) Read more... |
SANSARA, The Waiting Sky: A Christmas Meditation, Kings Place review - a thrillingly mysterious and profound Christmas alternativeThursday, 21 December 2023
What a beautiful, alternative evening of Christmas music this was, ranging in tone from bleakness to transcendence – a thrilling escape from the season’s cloying commercialism to a sense of something both mysterious and profound. Read more... |
London Handel Players, Butterfield, Wigmore Hall review - Bach with bite for ChristmasTuesday, 19 December 2023
We think of the Wigmore Hall as a venue for intimate revelations, but in the right hands it can feel like a stadium. Last night’s all-Bach programme of festive music from the London Handel Players managed to embrace both moods. Read more... |
Mariam Batsashvili, Wigmore Hall review - spectacular pianism, with a sense of funWednesday, 13 December 2023
For a small nation, with a population not quite comparable to Scotland’s, Georgia has for long packed a mighty musical punch. Any visitor will know the soul-wrenching power of its choral polyphony, but a post-Soviet generation of classical soloists now walks proudly across the world stage. Pianist Mariam Batsashvili, only just 30, won the Franz Liszt international competition in 2014 and has since been a BBC New Generation artist. Read more... |
I Fagiolini, Hollingworth, St Martin-in-the-Fields review - it's not the Messiah...Sunday, 10 December 2023
“Nobody likes a Messiah…”, deadpanned Robert Hollingworth, with the timing of a practised stand-up. After a pause, “…more than I do.” At St Martin-in-the-Fields on Friday evening, however, the seasonal blockbuster did not, just for once, feature on the festive menu. Instead, Hollingworth’s ever-enterprising ensemble I Fagiolini served up a savoury and well-spiced alternative to Handel’s ubiquitous staple. Read more... |
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