Classical Reviews
Songs of Wars I Have Seen, RSNO, Dunedin Consort, Slorach, Queen's Hall, Edinburgh review - moving portrayal of wartime diariesFriday, 13 October 2023
Songs of Wars I Have Seen is an hour-long through=composed work by contemporary German composer Heiner Goebbels which combines the music of 17th century composer Matthew Locke, the text from the wartime diaries of American Jewish writer Gertude Stein and Goebbels’s own ingenious musical and dramatic ideas. Read more... |
Kopatchinskaja, LSO, Pappano, Barbican review - dancing on the volcanoMonday, 09 October 2023
Poetry came an honourable second to sharp rhythms and lurid definition in this choreographic poem of a concert. You don’t get more tumultuous applause after an opener than with Ravel’s La Valse played like this. Vienna may have nearly collapsed after World War One, but the Scheherazade of Fazil Say’s 1001 Nights Violin Concerto lives to see a bright dawn, and Rachmaninov cries “Alliluya’ to whirling demons in his swansong Symphonic Dances. Read more... |
Kim, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review - the sound of brassMonday, 09 October 2023
Ben Gernon’s relationship with the BBC Philharmonic has been a richly rewarding one over the close-on seven years since his appointment as their principal guest conductor began, and indeed subsequently. Read more... |
Skride, National Symphony Orchestra, Matheuz, National Concert Hall, Dublin - musical philosophies soarMonday, 09 October 2023
Promising on paper, dazzling in practice: with a superlative soloist and conductor, this programme just soared on wings of philosophy-into-music. The spotlighting of NSO co-leader Elaine Clark provided another thread, from the opening chant of Linda Buckley‘s Fall Approaches through the keen dialogues with collegial Baiba Skride in Bernstein’s dazzling Serenade to the Viennese-waltz Dance Song of Strauss’s Also sprach Zarathustra. Read more... |
Roomful of Teeth, Milton Court review - mellifluous minimalism with a mild mannerSunday, 08 October 2023
If there’s a better name for a vocal group than Roomful of Teeth I have yet to come across it. But if it conjures up images of brash, in-your-face showbiz the reality couldn’t be more different. Read more... |
Degun, Scottish Ensemble, Queen's Hall, Edinburgh review - fusion of east and west, ancient and modernSaturday, 07 October 2023
In a fusion of musical traditions both eastern and western, old and new, Scottish Ensemble were joined by virtuoso sitarist and composer Jasdeep Singh Degun for an evocative performance of Degun’s own work plus reimagined music by Terry Riley and Hildegard von Bingen at Edinburgh’s Queen’s Hall. Read more... |
Ruisi, Hallé, Elder, Bridgewater Hall, Manchester review - returning to Ravel’s gloriesFriday, 06 October 2023
Continuing the retrospective aspect of his final season as music director of the Hallé, Sir Mark Elder returned last night to Ravel’s Daphnis et Chloé, the work with which he opened the orchestra’s 2014-15 Manchester series to such memorable effect. Read more... |
Hewitt, Basel Chamber Orchestra, Bard, Bridgewater Hall, Manchester review - 22 extraordinary musiciansTuesday, 03 October 2023
The Basel Chamber Orchestra’s 21 string players on tour are an extraordinary set of musicians. Not only did they begin their programme in Manchester with Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, requiring at times one-to-a-part playing to accomplish its multi-voice textures, but eight of them put down their instruments and transformed into a choir for the piece that followed. Read more... |
Connolly, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - beginning with a fanfareMonday, 02 October 2023
The opening concert of a new season often tends to be a statement of intent, and this was John Storgårds’ opener of the first full season since he was appointed chief conductor of the BBC Philharmonic. He’s hardly a newcomer to them, though, since he has been principal guest conductor (latterly chief guest) for nearly 12 years now. The mutual respect and trust are clear. Read more... |
I Fagiolini, Hollingworth, Kings Place review - magnificent Monteverdi VespersSunday, 01 October 2023
It was great to see Kings Place full on Saturday night for I Fagiolini’s take on the Monteverdi Vespers, added, rock’n’roll style, as an “additional date due to public demand” after the Friday show sold out. And it was superb. Read more... |
Pages
inside classical music
latest in today
Two Strangers (Carry A Cake Across New York), Criterion Thea...
Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...
Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...
Nadine Shah, SWG3, Glasgow review - loudly dancing the night...
First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...
Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...
In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...
Orbital, O2 Institute, Birmingham review - the techno titans...
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...
Fern Brady, Netflix Special review - sex, relationships and...
An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...
Album: The Lemon Twigs - A Dream Is All We Know
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...
Götterdämmerung, LPO, Jurowski, RFH review - outside looking...
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...
Music Reissues Weekly: Warsaw - Middlesbrough 14th September...
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...
theartsdesk Q&A: Marco Bellocchio - the last maestro
The last of the old maestros is standing tall. Marco...