fri 17/05/2024

Classical Reviews

National Youth Choir of Scotland, RSNO, Bell / Quasthoff, Amatis Trio, Edinburgh International Festival 2023 review - from the heights to the depths

Simon Thompson

The National Youth Choir of Scotland have the most easily pronounceable acronym in Scottish music: everyone up here knows who you’re talking about when you mention NYCOS.

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Prom 39: Schiff, Elbert, Budapest Festival Orchestra, Fischer 3 review - jaw-dropping standards of orchestral playing

Sebastian Scotney

The Budapest Festival Orchestra never stops proving what a great ensemble it is. In last night’s concert, the third Prom of its weekend residency, the miraculous ways in which the absurd humour of Ligeti, the deep soulfulness of Bartók and the implacable genius of Beethoven were brought to the surface were not just joyful and completely fulfilling, but also unfailingly drew in the attention of the whole audience in a completely full Royal Albert Hall.

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Prom 38: Audience Choice, Budapest Festival Orchestra, Fischer 2 review - true democracy or tricksy referendum?

David Nice

It would be worth travelling a long way to hear the Budapest Festival Orchestra giving such a lithe, athletic performance under its founder and Music Director Iván Fischer of Glina’s Ruslan and Lyudmila Overture. That was the Radio 3 and Proms Audience Choice from 19 overtures and preludes whittled down to three. What happened next, despite some equally lustrous playing, didn’t always work so well.

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Han, KBS Symphony Orchestra, Inkinen / Dunedin Consort, Butt, Edinburgh International Festival 2023 review - a tale of two very different orchestras

Simon Thompson

There’s a Korean strain to the Edinburgh International Festival’s programme this year, more in the drama programme than in the music one, but it came to the Usher Hall in Friday night’s concert from the KBS Symphony Orchestra (★★★★). They play a similar role in Korea to what the BBC Orchestras do in the UK (KBS stands for Korean Broadcasting System) and if this concert is anything to go by then they’re a jolly impressive bunch of musicians.

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Prom 37: Schiff, Budapest Festival Orchestra, Fischer 1 review - landscapes and mindscapes

Boyd Tonkin

“Very traditional, but fun,” ran the verdict of one fellow-traveller as we waited for a bus outside the Royal Albert Hall on Saturday night. No one can gainsay the infectious fun that the Budapest Festival Orchestra bring to every gig. For all its musical accomplishment, Iván Fischer’s all-singing (yes, they did) if not quite all-dancing (yet) outfit never forget that they belong to a, rather elevated, branch of show business.

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Schiff, Budapest Festival Orchestra, Fischer / Emmanuel Ceysson & Friends, Edinburgh International Festival 2023 review - Hungariana and harp

Simon Thompson

You’d feel short-changed if an orchestra like the Budapest Festival Orchestra came to the Edinburgh Festival and didn’t play some Hungarian music, so why not put together a whole concert of the stuff?

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Ilker Arcayürek, Malcolm Martineau, Edinburgh International Festival 2023 review - vocal tension saved by poetic pianism

Simon Thompson

It’s an everyday story of festival folk. The festival’s Queen’s Hall concert on Wednesday morning was meant to be a song recital from Günther Groissböck, but he cancelled at (I’m told very) short notice due to illness and the festival team had to scrabble around to find a replacement pronto.

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Stefan Jackiw and Friends, Edinburgh International Festival 2023 review - focused playing, with restraint thrown to the winds

Simon Thompson

And we’re off! This concert marked the beginning not just of the 2023 Edinburgh International Festival but, perhaps more importantly, of Nicola Benedetti’s tenure in charge as the EIF’s Director. She came onstage for a chat before a note of music was played. Part of her mission as director appears to be to make the arts more accessible, and if her introductory chat wasn’t much more than a gentle hello then it still did the job. Any aim to demystify classical music has to be welcomed.

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Prom 28: Rangwanasha, National Youth Orchestra, Prieto review - playing, and singing, with a swing

David Nice

Programming works from the same decade – in this case the 1940s – can reveal fascinating contrasts: what an impressive gulf, for instance, between two masterpieces by Hindemith and Strauss in this first half, and what sensitivity to very different styles from the NYOGB under Carlos Miguel Prieto. Be careful what you choose as the big symphony, though. I’d always had my doubts about Copland’s Third, and though it couldn’t have been more compellingly lit and shaped, it paled by comparison.

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Prom 27: Wang, Hampson, BBC Symphony Orchestra, Mäkelä review - glittering night with music’s golden couple

Bernard Hughes

Yuja Wang and Klaus Mäkelä, two of the classical world’s biggest hitters, have recently united to make that even more powerful item, the “power couple”. But much as they are both photogenic and charismatic, their reputations are also based on musical excellence, as was on display at last night’s sizzling Prom.

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