Simon Thompson
Articles By Simon Thompson
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...
There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...
The Lonely Londoners, Kiln Theatre review - Windrush Generat...
As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...
Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...
There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...
Album: Ludovico Einaudi - The Summer Portraits
Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...
Prime Target, Apple TV+ review - the appliance of science
An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...
Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...
Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...
Amelia Coburn, Komedia, Brighton review - short set from ris...
The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...
The Brutalist review - we're building to something
There’s a moment, as we build to a climax in Brady Corbet’s first film, The Childhood of a Leader (2015), when a servant at a...
Album: FKA Twigs - Eusexua
It would be really easy to get hung up on the definition for this album. Is it a new sexuality term? A holiday genre of technopop? A planet that...