sun 24/11/2024

Simon Thompson

Articles By Simon Thompson

Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall, Edinburgh review - ebullient but bitty

Read more...

Verdi's Requiem / Capriccio, Edinburgh International Festival 2024 review - words, music, judgement

Read more...

Le nozze di Figaro, Komische Oper Berlin, Edinburgh International Festival 2024 review - great singing wasted

Read more...

Altstaedt, EUYO, Noseda, Edinburgh International Festival 2024 review - inclusive and brilliant

Read more...

Bostridge, Osborne, Edinburgh International Festival 2024 review - the heights and the abyss

Read more...

Bamberg SO, Hrůša / Up Late at the Hub, Edinburgh International Festival 2024 review - death, life and points in between

Read more...

Schola Cantorum de Venezuela / Llewellyn, Lepper, Edinburgh International Festival 2024 review - scorching energy and deep tenderness

Read more...

Bach/Mendelssohn St Matthew Passion / First Night at the Hub, Edinburgh International Festival 2024 review - a reimagining and a joyous celebration

Read more...

Trpčeski, RSNO, Søndergård, Usher Hall, Edinburgh review - flash and sparkle

Read more...

Bach Passions, Dunedin Consort, Mulroy/Jeannin, St Mary's Episcopal Cathedral/Queen's Hall, Edinburgh review - twin peaks

Read more...

Hughes, SCO, Kuusisto, Queen’s Hall, Edinburgh review - Clyne shines, Grime fragments

Read more...

Morison, Big Noise Wester Hailes, RSNO, Søndergård, Usher Hall, Edinburgh - shimmering delicacy and surging swell

Read more...

RSNO Chorus, Doughty, Greyfriars Kirk, Edinburgh review - breaking out in anniversary Bruckner

Read more...

SCO, Ilias-Kadesha, Queen’s Hall, Edinburgh review - Eastern promise sputters out

Read more...

Grosvenor, SCO, Emelyanychev, Usher Hall, Edinburgh review - lightness of touch and a sprinkling of humour

Read more...

Isidore Quartet / Mao Fujita, Edinburgh International Festival 2023 - carefree beauty and improvisatory flair

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: Stefan Gnyś - Horizoning

For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...

Wicked review - overly busy if beautifully sung cliffhanger

"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan re...

London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The ...

Snow Leopard review - clunky visual effects mar a director...

Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of...

King James, Hampstead Theatre review - UK premiere drains a...

Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not...

Album: Kim Deal - Nobody Loves You More

The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without...

Kavakos, Philharmonia, Blomstedt, RFH review - a supreme val...

From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he sat on a piano stool...

Hannah Scott, Worthing Pavilion Theatre Atrium review - fill...

London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the...