sun 01/12/2024

Classical Reviews

Goldscheider, Royal Orchestral Society, Miller, SJSS review - fine horn playing from the very best

Bernard Hughes

London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the Royal Orchestral Society, accompanying horn superstar Ben Goldscheider, and it proved a better way to spend an evening than sitting through another tortuous England football tournament game.

Read more...

Bach's Mass in B Minor, Collegium Vocale Gent, Herreweghe, Barbican - masterful subtlety proves more intriguing than compelling

Rachel Halliburton

There’s a masterful subtlety to Philippe Herreweghe’s interpretation of Bach’s last great choral work – it shuns blazing transcendence for a sense of serene contemplation that reveals every angle of the mass’s geometrical perfection. Listening to the multiple layers of sound is rather like appreciating the shifting colours in the inlaid mother of pearl on a harpsichord – nothing dazzles, but it draws you in with its meticulous polish and understated beauty.

Read more...

theartsdesk at the 2024 Aldeburgh Festival - romantic journeys, cosmic hallucinations and wild stomps

David Nice

It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who quietly leaves his post at Britten Pears Arts this July after a momentous decade, is no ordinary Chief Executive. I’ve never heard anyone say a bad word about him; he has been a beacon during difficult times for the arts in the UK, and especially during lockdown; and he leaves the Aldeburgh Festival in best ever shape, just as he did the BBC Proms before it.

Read more...

Trpčeski, RSNO, Søndergård, Usher Hall, Edinburgh review - flash and sparkle

Simon Thompson

Edinburgh is lucky to get a lot of high quality musicians coming to perform, not least during the summer festival season, but the most high profile musical visitor to the city this weekend was none other than Taylor Swift. Everyone is talking about her: she was even mentioned by one party in the general election campaign.

Read more...

Abel Selaocoe / Dermot Dunne & Martin Tourish, Dublin International Chamber Music Festival - genius transfigures genius

David Nice

No-one in the musical world could possibly surpass the communicative skills of Abel Selaocoe – pushing the boundaries of cello and vocal technique in a myriad of voices, all cohering in works of staggering breadth, getting the audience to sing at the deepest of levels.

Read more...

Hallé, Elder, Bridgewater Hall, Manchester review - a fine and fitting finale for Sir Mark

Robert Beale

When it was first announced that Mark Elder was to become music director of the Hallé, I phoned a friend who knew him well from serving on his staff at English National Opera in earlier years. “He’s completely devoted,” he said. “He never does anything superficially, he’s always well prepared, he’s a good orchestra trainer, and he’ll last longer than other conductors.” It was a description and prediction that was amply fulfilled in the following quarter-century.

Read more...

Murrihy, Martineau, Wigmore Hall review - poise, transformation and rainbow colours

David Nice

Peerless among the constellation of Irish singers making waves around the world, mezzo Paula Murrihy first dazzled London as Ascanio in Terry Gilliam’s English National Opera production of Berlioz’s Benvenuto Cellini. Since then she’s become a major star on the continent, not least as a superb Octavian in Strauss's Der Rosenkavalier, less so in the UK, though that should have changed with her Proms appearance last year as Didon in Les Troyens.

Read more...

St Martin's Voices, Earis, St Martin-in-the-Fields review - music from the beginning

Bernard Hughes

The concert offering at St-Martin-in-the-Fields has transformed in recent years, under Director of Music Andrew Earis. There is still a decent amount of “Four Season by Candlelight” but this tourist-bait now sits alongside some brilliant programming featuring choirs like Tenebrae, Ex Cathedra and the Monteverdi Choir.

Read more...

Sheffield Chamber Music Festival 2024 review - curator Steven Isserlis spotlights masterly Fauré and Saint-Saëns

David Nice

“Saint-Saëns: The Renaissance Man” proclaimed the big screen at the first remarkable programme I attended within the 2024 Sheffield Chamber Music Festival. The same epithet could be applied to this year’s curator, Steven Isserlis, so remarkable a cellist that one forgets until coming face to face with his other talents what a unique speaker and programmer he is.

Read more...

Sphinx Organization, Wigmore Hall review - black performers and composers take centre stage

Bernard Hughes

Kudos to the Wigmore Hall for continuing to make efforts to diversify its roster of performers and repertoire. Last year I reviewed the Kaleidoscope Collective, and noted how the different profile of their players attracted a younger and less universally white audience to the hall, and the same happened again last night when the American Sphinx Organization were given the stage.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: John Cale - The Academy in Peril, Par...

The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...

Conclave review - secrets and lies in the Vatican's inn...

“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t...

Twelfth Night, Orange Tree Theatre review - perfectly pitche...

It's all too easy to underplay the melancholy of ...

The Lightning Thief: The Percy Jackson Musical, The Other Pa...

Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the...

Album: Lucinda Williams Sings The Beatles from Abbey Road

When first I clicked on the stream for this album, I really wasn’t sure about it. In fact, I thought I wasn’t going to like it, much as I had...

Expendable, Royal Court review - intensely felt family drama

British theatre excels in presenting social issues: at its best, it shines a bright light on the controversial subjects that people are thinking,...

Senna, Netflix review - the life and legend of Brazil's...

Brazilian Formula One triple-champion Ayrton Senna was already...

The Purists, Kiln Theatre review - warm, witty, thoughtful a...

Watching Dan McCabe’s 2019 play, older folk might be reminded of the Bonzo Dog Doo-Dah Band’s indelible lyrics, “Can blue men sing the...