Classical Reviews
Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall, Edinburgh review - ebullient but bittyMonday, 18 November 2024
Carmina Burana isn’t a masterpiece: it’s primarily a bit of fun; fun to listen to, fun to play, really fun to sing. Read more... |
Gerhardt, BBC Philharmonic, Chauhan, Bridgewater Hall, Manchester review - from grief to peaceMonday, 18 November 2024
Anna Clyne’s This Moment had its UK premiere at Saturday’s BBC Philharmonic concert. She’s the orchestra’s composer in association, and this seven-minute piece was first played by the Philadelphia Orchestra last year. Read more... |
Bach Brandenburg Concertos, OAE, QEH review - forever youngThursday, 14 November 2024
Victims of their own success in the postwar era of well-recorded sound, the Brandenburg Concertos first arrived in the ears of listeners from my generation via glossy, plush and polished recordings by heavyweight orchestras of a sort that would have baffled Bach. Four decades ago, period-conscious bands began to strip the gloopy varnish off and let the strange, bold paintwork beneath shine. Read more... |
Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and lightMonday, 11 November 2024
Out of innumerable Rite of Springs in half a century of concert-going, I’ll stick my neck out and say this was the most ferocious in execution, the richest in sound. Others may have wanted a faster, lighter Rite. But the two things that make every concert conducted by Klaus Mäkelä so extraordinary are that he inhabits the music to a visibly high level, and that he gets the fullest tone and urgent phrasing from every instrument. Read more... |
Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venueSaturday, 09 November 2024
Until 2022, the lovely 18th century church of St Mary-le-Strand was a traffic island, ignored and unloved and rarely visited. Then came the pedestrianisation of the section of the Strand outside Somerset House, transforming the area from somewhere polluted and dangerous, to a walkable piazza, and transforming the church into what is now dubbed “The Jewel in the Strand”. Read more... |
Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review - the dude who dazzlesFriday, 08 November 2024
Pavel Kolesnikov returned to the Hallé last night with a bobby-dazzler of a concerto. He’s a laid-back dude in appearance, with no tie, flapping jacket and cool appearance – quite a contrast with the full evening dress worn by the orchestra members – but the music says it all for him. Read more... |
Fauré Centenary Concert 5, Wigmore Hall review - a final flightWednesday, 06 November 2024
As Steven Isserlis announced just before the final work, in more senses than one, of a five-day revelation, the 79 year old Fauré’s last letter told his wife that “at the moment I am well, very well, despite the little bout of fatigue which is caused by the end of the Quartet. I am happy with everything, and I should like everyone to be happy all around me, and everywhere”. Read more... |
Ohlsson, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - grace and power in BrahmsTuesday, 05 November 2024
The BBC Philharmonic were right to bill Garrick Ohlsson, soloist in Brahms’ Piano Concerto No. 1, as the main attraction in Saturday’s concert. Read more... |
Fauré Centenary Concert 1, Wigmore Hall review - Isserlis and friends soarMonday, 04 November 2024
Earlier this year, Steven Isserlis curated a revelatory Sheffield Chamber Music Festival spotlighting Saint-Saëns, with plentiful Fauré towards the end. Now it’s the younger composer’s turn, marking his death 100 years ago on 4 November 1924, but his mentor has more than a look-in over five concerts featuring six bright stars, "Team Fauré". Read more... |
Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hall review - thrilling Handel at full throttleSaturday, 02 November 2024
Last time I saw the lovelorn Cyclops from Handel’s richly turbulent cantata, Aci, Galatea e Polifemo, he was in a warehouse at Trinity Buoy Wharf earlier this year, posturing moodily as an Italian film director. The London Handel Festival’s specially commissioned Aci by the River seemed to have found the ideal form in which to explore this tale of thwarted desire for modern audiences; a dark tale of #MeToo woe in an alienated urban setting. Read more... |
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