thu 30/10/2025

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works

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Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

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Paul Lewis, Wigmore Hall review - superlative Schubert

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Giulio Cesare, English Touring Opera review - a return visit to Handel's Egypt

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Ólafsson, LPO, Gardner, RFH review - spirit of delight

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Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focus

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Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longing

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Leif Ove Andsnes, Wigmore Hall review - brooding richness and fiery fervour

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Kavakos, Royal Concertgebouw Orchestra, Harding, Barbican review - elegance without poise

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theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling

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Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

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Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneity

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Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

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theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

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Vondráček, LSO, Tilson Thomas, Barbican review - mixed messages

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Moore, LSO, Zhang, Barbican review – virtuosity worn lightly

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'We are bowled over!' Thank you for your messages... ...
Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...

theartsdesk Q&A: director Kelly Reichardt on 'The M...

Kelly Reichardt has a thing about losers. You often see them in her films. It's the failure of American individualism that concerns her...

Emma Doran, Leicester Square Theatre review - domestic life...

The Irish diaspora in London were out in force for Emma Doran’s appearance at Leicester Square Theatre. Her online work and her...

Lily Allen's 'West End Girl' offers a bloody,...

Even in our garish online age, most celebrities and...

The Assembled Parties, Hampstead review - a rarity, a well-m...

There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...

theartsdesk Q&A: director Stefano Sollima on the relevan...

In his celebrated TV-series Gomorrah (based on the bestseller of the same name by author Roberto Saviano) Italian director...

Blu-ray: Wendy and Lucy

Wendy and Lucy is a road movie with a...