wed 01/01/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works

Read more...

Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

Read more...

Paul Lewis, Wigmore Hall review - superlative Schubert

Read more...

Giulio Cesare, English Touring Opera review - a return visit to Handel's Egypt

Read more...

Ólafsson, LPO, Gardner, RFH review - spirit of delight

Read more...

Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focus

Read more...

Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longing

Read more...

Leif Ove Andsnes, Wigmore Hall review - brooding richness and fiery fervour

Read more...

Kavakos, Royal Concertgebouw Orchestra, Harding, Barbican review - elegance without poise

Read more...

theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling

Read more...

Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

Read more...

Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneity

Read more...

Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

Read more...

theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

Read more...

Vondráček, LSO, Tilson Thomas, Barbican review - mixed messages

Read more...

Moore, LSO, Zhang, Barbican review – virtuosity worn lightly

Read more...

Pages

latest in today

SAS: Rogue Heroes, Series 2, BBC One review - Paddy Mayne...

Having carved a swathe of terror and destruction through the Axis forces in North Africa, the SAS return for a second series (again written by...

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Best of 2024: Classical music concerts

As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I...

Best of 2024: Dance

In an ideal world an end-of-year roundup would applaud only new ventures – fresh productions that you may curse for having missed but whose...

Best of 2024: Books

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

Albums of the Year 2024: Nick Cave and the Bad Seeds - Wild...

Young eldritch junkie Nick Cave would have struggled to predict his maturity as a font of wry and sacred wisdom, or the fathomless loss he...

The Split: Barcelona, BBC One review - a soapy special with...

Maybe it was the timing, even though most of the action takes place in bright sunlight...

Best of 2024: Visual Arts

I thought I might never be able to say it’s been a great year for...

Spence, Perez, Richardson, Wigmore Hall review - a Shakespe...

“O stay and hear,” sings Twelfth Night’s jester Feste in his song “O mistress mine”, “your true love’s coming,/ That can sing both high...

Best of 2024: Comedy

Looking back over the past 12 months, it struck me how it has been the shows fashioned from personal stories that have stayed with me. It wasn't...