fri 02/05/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works

Read more...

Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

Read more...

Paul Lewis, Wigmore Hall review - superlative Schubert

Read more...

Giulio Cesare, English Touring Opera review - a return visit to Handel's Egypt

Read more...

Ólafsson, LPO, Gardner, RFH review - spirit of delight

Read more...

Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focus

Read more...

Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longing

Read more...

Leif Ove Andsnes, Wigmore Hall review - brooding richness and fiery fervour

Read more...

Kavakos, Royal Concertgebouw Orchestra, Harding, Barbican review - elegance without poise

Read more...

theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling

Read more...

Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

Read more...

Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneity

Read more...

Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

Read more...

theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

Read more...

Vondráček, LSO, Tilson Thomas, Barbican review - mixed messages

Read more...

Moore, LSO, Zhang, Barbican review – virtuosity worn lightly

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: PUP – Who Will Look After The Dogs?

PUP’s Who Will Look After The Dogs? is a raw and emotionally charged album that captures the band’s chaotic spirit while showing clear...

My Master Builder, Wyndham's Theatre review - Ewan McGr...

It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily works to the benefit of...

First Person: rising folk star Amelia Coburn on her French i...

“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year.  While living in...

Adrian Utley / Eddie Henderson Project, Ronnie Scott's...

On the eve of recording an album at Real World Studios, guitarist Adrian Utley and the American trumpet player Eddie Henderson brought their “...

Album: Suzanne Vega - Flying With Angels

Wow, can it really be 40 years since Solitude Standing, the second studio album by Suzanne Vega who put the 1980s folk revival on the map...

Dealer's Choice, Donmar Warehouse review - fresh take o...

Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...

La Serenissima, Wigmore Hall review - a convivial guide to 1...

When Giuseppe Torelli made the journey from his birthplace of Verona to Bologna in the late 17th century, the trumpet was still seen as something...

theartsdesk Q&A: director Leonardo Van Dijl discusses hi...

"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...

Album: Lael Neale - Altogether Stranger

Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By...