Gavin Dixon
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.
Articles By Gavin Dixon
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Nocturnes review - the sounds of the rainforest transport yo...
If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often...
Julia Holter, Islington Assembly Hall review - shelter from...
On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by...
Music Reissues Weekly: John Leyton - Lone Rider The Holloway...
For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe...
theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen J...
Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair...
Merchant Ivory review - fascinating documentary about the di...
“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to...
The Pirates of Penzance, English National Opera review - fre...
“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...
Hansel and Gretel, Shakespeare's Globe review - too sac...
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I...
Album: The Unthanks - In Winter
By and large, most Christmas albums seem to fall into one of two camps. There’s either the lively poptastic soundtracks favoured at family or work...