sun 14/09/2025

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

JACK Quartet, Wigmore Hall review – superlative Elliott Carter quartets

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Soltani, LPO, Gardner, RFH review – disciplined and dynamic accounts

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Bach St John Passion, Les Arts Florissants, Christie, Barbican review – sombre but engaging

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Monteverdi Vespers, The Sixteen, Christophers, Cadogan Hall review – majesty on a modest scale

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Damrau, BRSO, Jansons, Barbican review - broad and passionate Strauss

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Ehnes, BBCSO, Ryan Wigglesworth, Barbican review - a concert of two very different halves

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LSO, Rattle, Barbican review - Bartók dances, Bruckner sings

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Thomas Adès, Wigmore Hall review - playful and erratic Janáček

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The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous Berio

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Mitsuko Uchida, Royal Festival Hall review - conviction and grace

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theartsdesk in Warsaw - Penderecki at 85

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The English Concert, Bicket, Wigmore Hall review – small-scale Bach

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Lawson, London Sinfonietta, Kings Place Review – diverse explorations of time

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Radamisto, English Touring Opera review - propulsive, lively Handel

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Das Rheingold, Royal Opera review - high drama and dark comedy

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Ian Bostridge, Thomas Adès, Wigmore Hall review - haunting, brutal Schubert

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'We are bowled over!' Thank you for your messages... ...
Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

Album: Twenty One Pilots - Breach

For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...

BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspect...

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I...

Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...

Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...