wed 02/07/2025

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Lohengrin, Royal Opera review - a timely return to warzone Brabant

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Rangwanasha, OAE, Fischer, RFH review - Mahler reimagined

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Nabucco, Royal Opera review - high passion but low drama

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Macbeth, Royal Opera review - bloody, bold, and resolute

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Takács Quartet, Wigmore Hall review - intimate letters and holy songs

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Gerhaher, Faust, Wigmore Hall review - husky shadings and dark hues

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LSO, Rattle, Barbican review - a glimpse into Bruckner’s workshop

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Aimard, Mahler Chamber Orchestra, Benjamin, BBC Proms review - a revealing composer portrait

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LSO, Rattle, BBC Proms review - dazzling Stravinsky showcase

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Carducci Quartet, Wigmore Hall review - complexity and depth

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Dunedin Consort, Butt, Wigmore Hall review – bijou Bach

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Tenebrae, Short, Wigmore Hall online review - reflections for Holy Week

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Der Freischütz, Bavarian State Opera online review – marksmen as marketeers

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Doric Quartet, Wigmore Hall review – sombre reflections

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Elias Quartet, Wigmore Hall review – sinewy, muscular Beethoven

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BBC Proms live online: Hough, BBC Scottish SO, Chauhan review - sombre reflections on lockdown

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Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...