Classical Reviews
LSO, Rattle, BarbicanFriday, 20 January 2017
Symphony is a word carrying heavy historical baggage. It’s understandable when composers dig for inspiration elsewhere. All the same, Mark-Anthony Turnage has grasped the symphonic nettle with Remembering – In memoriam Evan Scofield which received its first performance last night. Many more will follow, I’d venture. Read more... |
Summerfield, Jackson, Riches, Classical Opera, Page, Wigmore HallWednesday, 18 January 2017
Young Amadeus is growing up in real time with MOZART 250, Classical Opera's ambitious 26-year project following its hero's creative life from childhood to the grave. 2015's start, marking two and a half centuries since the boy wonder's first visit to London, and its sequel had little to show of its main man, but plenty of other, senior composers flourishing in the same years. Read more... |
The Last Supper, BBCSSO, Brabbins, City Halls, GlasgowMonday, 16 January 2017
You can tell it’s a big deal when even a handful of London critics abandon the capital for a Saturday evening in chilly Glasgow. Read more... |
Bavouzet, BBCPO, Collon, Bridgewater Hall, ManchesterMonday, 16 January 2017
Colin Matthews’s arrangements for orchestra of the 24 Debussy Préludes (originally commissioned by the Hallé) have been widely admired. The BBC Philharmonic’s concert, conducted by Nicholas Collon, at the Bridgewater Hall on Friday night began with three of Ravel’s five piano Miroirs, two of them orchestrated by Matthews (one a world premiere) and one by the late Steven Stucky. Read more... |
Hardenberger, CBSO, Nelsons, Symphony Hall BirminghamFriday, 13 January 2017
Birmingham audiences are a supportive bunch. There was never much likelihood that they’d greet Andris Nelsons’s first Birmingham appearance since he departed for Boston in 2015 with less than the same warmth that they keep for other former CBSO music directors. Read more... |
Gerhardt, Aurora Orchestra, Collon, Kings PlaceMonday, 09 January 2017
What's not to like, or love, would have to be the sensible response to both the opening programme of Kings Place's year-long Cello Unwrapped festival at Kings Place and its life-enhancing execution. Read more... |
Classical CDs Weekly: Fauré, Poulenc, Franui, Sami JunnonenSaturday, 07 January 2017
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Best of 2016: ClassicalWednesday, 28 December 2016
Revelations in the classical year never stop coming. Even the week before Christmas yielded two performances as good as you're going to get: the sheer effervescence and light-flourishing of Lucy Crowe in ecstatic Bach and Mozart with La Nuova Musica, and Sheku Kanneh-Mason in Haydn's C major Cello Concerto. So any sifting of 2016's musical riches needs to put the truly one-off packages at the top of the list. Read more... |
Classical LPs Weekly: Corker, Sveinsson, TchaikovskySaturday, 24 December 2016
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Kanneh-Mason, Fantasia Orchestra, Fetherstonhaugh, St Gabriel's PimlicoWednesday, 21 December 2016
Sheku Kanneh-Mason isn't just BBC Young Musician 2016 - he's the year's top player in my books, a master at any level. Despite a contract with Decca, starting with the Shostakovich First Cello Concerto he played in the competition finale, he looks likely to remain loyal to family and friends, including the Fantasia Orchestra, founded this year, in which he's already played as part of the cello section. Read more... |
Aubade – Music by Fauré and Poulenc Västerås Sinfonietta/Howard Shelley (piano and conductor) (dB Productions)
Adrian Corker: The Have-Nots OST (SN Variations)Pages
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