wed 02/07/2025

Classical Reviews

Trevigne, CBSO, Chauhan, Symphony Hall, Birmingham

Richard Bratby

Bruckner’s Third Symphony doesn’t so much begin as become audible. A steady heartbeat in the bass, oscillating violas lit from within by clarinets, and in the middle, slowly pulling clear of the texture, the proud, sombre trumpet motif to which Wagner himself agreed to attach his name.

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Classical CDs Weekly: Brahms, Steve Reich, Aleksandra Vrebalov

graham Rickson


Brahms: Double Concerto, Piano Trio No. 1 (1854 version) Joshua Bell (violin and director), Steven Isserlis (cello), Jeremy Denk (piano), Academy of St Martin in the Fields (Sony)

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Mozart's Last Symphonies, SCO, Ticciati, Usher Hall, Edinburgh

David Nice

His transformational Brahms series with the Scottish Chamber Orchestra may have been truncated by slipped disc troubles - he was much missed at Glyndebourne too - but Robin Ticciati is back with renewed energy and purpose. To judge from the brilliant but focused party they seemed to be having with Mozart's "Jupiter" Symphony last night, the players are as overjoyed as he is.

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Isserlis, Mustonen, Wigmore Hall

David Nice

For a BBC Radio 3 lunchtime's hour of music, cellist Steven Isserlis's latest collaboration with that most individual of pianists Olli Mustonen went astonishingly deep.

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Classical CDs Weekly: Berlioz, Maxwell Davies, Rameau, Zimmermann

graham Rickson


Berlioz: Symphonie Fantastique, Rameau: Suite de Hippolyte et Aricie Swedish Radio Symphony Orchestra/Daniel Harding (Harmonia Mundi)

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Stravinsky: Myths and Rituals 5, Philharmonia, Salonen, RFH

Helen Wallace

The Symphony of Psalms, which ended the Philharmonia’s Stravinsky series last night, is an indelible masterpiece, silencing the tired but persistent accusation that Stravinsky’s music is clever but cold. Abstract it may be, but suffused with an exile’s deep longing, spritual hope rising in harmonies of heart-stopping consolation until that final, revelatory C major chord.

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Beethoven Ninth, RLPO, Petrenko, Philharmonic Hall, Liverpool

Glyn Môn Hughes

The new season at the Royal Liverpool Philharmonic is focusing on revolutionaries. Bach, Beethoven and Berlioz all feature strongly over the next few months, as will Stravinsky and – where else but Liverpool? – The Beatles.

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Mariinsky Orchestra, Gergiev, Cadogan Hall

Sebastian Scotney

This year, Valery Gergiev is marking the Prokofiev 125th anniversary with concerts and projects in no fewer than 17 countries. Yet much of last night’s concert, the first of a three-night stint in London, made this whole endeavour feel more like a duty than either an imperative – or a pleasure. 

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Stravinsky: Myths and Rituals 4, Philharmonia, Salonen, RFH

David Nice

Stravinsky's music, chameleonic yet always itself, offers so many lines of thought. One struck me immediately with the descending, even harp notes and tender, veiled strings at the start of his 1947 ballet Orpheus last night: the inexorable beat of time is so often pitted against an expressive, human voice. Esa-Pekka Salonen, who started out as a rhythm and textures man, now gets the humanity too.

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Lammermuir Festival 2016, East Lothian

David Kettle

It’s just a short trip down the A1 from Edinburgh. But East Lothian – with its big skies, wide-open spaces, empty beaches and seemingly inexhaustable supply of quaint, historic villages – feels like a long, long way from the Scottish capital.

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