Classical Reviews
Prom 71: Trifonov, Staatskapelle Dresden, ThielemannThursday, 08 September 2016
Soft power in the shape of cultural ambassadors can go a long way. With a little help from its big guns in banking and industry, Germany has given this year's Proms no less than four of its major orchestras – from Leipzig, two from Berlin, and now from Dresden: all the more reason to wave those EU flags on a typically international Last Night in three days' time. Read more... |
Prom 70: Staatskapelle Berlin, BarenboimWednesday, 07 September 2016
Daniel Barenboim is as distinctive as he is unpredictable. His considerable strengths – dynamism, passion, keen intellectual engagement – are balanced by some notable weaknesses – clunky tempo changes, lack of detail – but all configure differently in each performance. Read more... |
Prom 67: Simón Bolívar Symphony Orchestra, DudamelMonday, 05 September 2016
Gone, it seems, is the era of epic three-part Proms. Sunday afternoon's programme, partly billed as a children's hour, might have pleased pianist and pundit Stephen Hough, whose recent broadsheet plea for shorter concerts somewhat overdid the need (lunchtime events already cater to concertgoers in a hurry very well, and the Proms has its late-nighters too). Read more... |
Prom 66: Berlin Philharmonic, RattleSunday, 04 September 2016
The BBC Proms is perhaps the only music festival in the world that would (or could) have programmed performances of Steve Reich in a Peckham car-park and Brahms by the Berlin Philharmonic within a few hours of each other. The audacity of it is glorious, the breadth exhilarating, and the fact that both sold out intensely heartening. Read more... |
Prom 64: Berlin Philharmonic, RattleSaturday, 03 September 2016
What do Boulez's Éclat, for 15 instruments, and Mahler's Seventh Symphony, for over 100, have in common? Most obviously, guitar and mandolin, symbols of a wider interest in unusual sonorities. But while Boulez aims, as often, for needle point precision, Mahler uses selective groups, at least up to his finale when he exuberantly exchanges night for day, to create peculiar and unsettling grades of chiaroscuro. Read more... |
Classical CDs Weekly: Melartin, Rachmaninoff, RzewskiSaturday, 03 September 2016
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Prom 63: B Minor Mass, Les Arts Florissants, ChristieFriday, 02 September 2016
The BBC Proms is the largest classical music festival in the world – an event whose ambition, accessibility and breadth wouldn’t be possible without the Royal Albert Hall and its capacity of well over 5,000 people. But the building that makes this festival possible, that provides the space for the hundreds of Prommers who fill the arena each evening, is also its biggest curse. Read more... |
Prom 62: Skride, BBCSO, YoungThursday, 01 September 2016
Branding, as any marketing manager will tell you, is everything when it comes to selling, and when it comes to selling, classical music is no different from cars, cornflakes or shampoo. It explains why a Mahler orchestral song-cycle would fill the Royal Albert Hall while a similar work by his love-rival and near-contemporary Alexander von Zemlinsky last night left it half empty. Read more... |
Prom 60: Gerhaher, Gustav Mahler Jugendorchester, JordanWednesday, 31 August 2016
There is no reason why young musicians shouldn't make something special out of mature thoughts on mortality. Nor is the Albert Hall problematic when it comes to haloing intimate Bach as finely as it does massive Bruckner. The Gustav Mahler Youth Orchestra glowed in both the large scale and the small last night. Any shortcomings were in senior hands and hearts - possibly those of a usually great conductor, Philippe Jordan, more likely the infirm purpose of his composer, Bruckner. Read more... |
All Together Now: The Great Orchestra Challenge, BBC FourWednesday, 31 August 2016
The ingredients should be familiar by now. A plucky range of contestants drawn from across the geographic and social spectrum. A selection of interesting back stories. Demanding judges, their prickly edges softened by a fluffier presenter. Read more... |
Erkki Melartin: Traumgesicht, Marjatta, The Blue Pearl Finnish Radio Symphony Orchestra/Hannu Lintu, with Soile Isokoski (soprano) (Ondine)Pages
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