mon 30/06/2025

Classical Reviews

First Night of the Proms, BBCSO, Oramo, Gabetta, Borodina

Jessica Duchen

The first notes of the first night of the Proms weren’t the ones expected. Instead of either “God Save the Queen” or simply the start of the Tchaikovsky, the “Marseillaise” rang out into the Royal Albert Hall, the Tricouleur projected in coloured light across the organ. Everyone stood. A fervent tribute to the tragedy of Nice, it set the tone for a strange and startlingly appropriate season opening.

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The Creation, Garsington Opera

alexandra Coghlan

Once confined to the concert hall, it’s a rare oratorio these days that doesn’t duck under the fence and sneak into the opera house. Bach’s Passions and most of Handel’s religious works have already made the transition, but this season it’s the turn of Haydn’s Creation. Rejecting the classic staged route, Garsington Opera have invited Mark Baldwin to choreograph it for his Rambert dancers.

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Classical CDs Weekly: Elgar, Haydn, Ligeti, Smaro Gregoriadou

graham Rickson


Elgar orch. Donald Fraser: Piano Quintet, Sea Pictures English Symphony Orchestra, English Chamber Orchestra, Rodolfus Choir/Kenneth Woods (Avie)

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Falstaff, CBSO, Gardner, Symphony Hall Birmingham

Richard Bratby

Edward Gardner gives the downbeat, and the City of Birmingham Symphony Orchestra bursts into Verdi’s great opening guffaw. Enter stage left Graham Clark, as Dr Caius. Enter stage right Ambrogio Maestri, as Falstaff. And before a note has been sung, the audience is laughing. I know that in the post-Dumpygate era we’re not supposed to discuss a singer’s physical appearance.

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Lichfield Festival 2016

Richard Bratby

You know, of course, why you should always choose the left leg of a roast partridge? Because that’s the leg the bird stands on when resting: it’s plumper, tastier and altogether more succulent. These things matter, and in Jean Francaix’s extraordinary 20-minute a capella showpiece Ode à la gastronomie they’re elevated to the level of a religion.

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Classical CDs Weekly: MacMillan, Mendelssohn, Mozart, Tchaikovsky

graham Rickson


James MacMillan: Since it was the day of Preparation Hebrides Ensemble/William Conway, with Brindley Sherratt (bass), Synergy Vocals (Delphian)

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East Neuk Festival 2016

David Nice

All the best festivals develop organically, with a guiding hand from the best directors. When I first came to the East Neuk Festival two years ago, on its 10th anniversary, it was already a special case, thriving on the spirit of place and including an all-day Schubertiad from top international artists, many of whom were returning because they loved this special peninsula of the Fife coast so much.

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Classical CDs Weekly: Scriabin, Stockhausen, Choir of King's College Aberdeen, Radek Baborák

graham Rickson


Scriabin and Stockhausen: Light Vanessa Benelli Mosell (Decca)

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Classical CDs Weekly: Aukai, Mahler, Shostakovich

graham Rickson


Aukai Markus Seiber (Aukai Music)

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Hallé Children’s Choir and Orchestra, Elder, Bridgewater Hall, Manchester

Robert Beale

’Tis the season for big children’s choirs to show off their end-of-season projects, and the Hallé Children’s Choir and Orchestra had something exceptional to present under Sir Mark Elder’s baton on Sunday afternoon: the world premiere of Jonathan Dove’s A Brief History of Creation.

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