fri 29/03/2024

Jessica Duchen

Articles By Jessica Duchen

The Excursions of Mr Brouček, Grange Park Opera review - biting satire from bouncing Czechs

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The Handmaid's Tale, English National Opera review - a red-hot classic for our times

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Damrau, Kaufmann, Deutsch, Barbican review - intermittent ignition

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LPO, Canellakis, Royal Festival Hall review - ecstatic sonorities at full pelt

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Kanneh-Mason, Terfel, RPO, Philharmonia Chorus, Petrenko, RAH review - an anniversary feast

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A Night at the Opera, BBC Philharmonic, Glassberg, BBC Proms review - six of the best

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Johnston, BBCNOW, Bancroft, BBC Proms - laments and luminosity

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András Schiff, Wigmore Hall review - mystery marvels mesmerise

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Europe Day Concert, St John's Smith Square online review – celebrating in style

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Benjamin Grosvenor, Barbican online review - black magic and golden-age gorgeousness

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Pushkin House Music Festival online review - Russian around Bloomsbury

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Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missing

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Christian Blackshaw, Wigmore Hall online review - pure as the driven snow

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András Schiff, Wigmore Hall review - Bach in isolation

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Oslo Philharmonic, Mäkelä online review - focus, flair and midwinter heartbreak

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First Person: Jessica Duchen on writing about Beethoven's Immortal Beloved

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Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

‘[A]n unimaginably beautiful day’: this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...