wed 28/05/2025

Jessica Duchen

Articles By Jessica Duchen

The Excursions of Mr Brouček, Grange Park Opera review - biting satire from bouncing Czechs

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The Handmaid's Tale, English National Opera review - a red-hot classic for our times

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Damrau, Kaufmann, Deutsch, Barbican review - intermittent ignition

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LPO, Canellakis, Royal Festival Hall review - ecstatic sonorities at full pelt

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Kanneh-Mason, Terfel, RPO, Philharmonia Chorus, Petrenko, RAH review - an anniversary feast

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A Night at the Opera, BBC Philharmonic, Glassberg, BBC Proms review - six of the best

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Johnston, BBCNOW, Bancroft, BBC Proms - laments and luminosity

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András Schiff, Wigmore Hall review - mystery marvels mesmerise

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Europe Day Concert, St John's Smith Square online review – celebrating in style

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Benjamin Grosvenor, Barbican online review - black magic and golden-age gorgeousness

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Pushkin House Music Festival online review - Russian around Bloomsbury

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Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missing

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Christian Blackshaw, Wigmore Hall online review - pure as the driven snow

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András Schiff, Wigmore Hall review - Bach in isolation

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Oslo Philharmonic, Mäkelä online review - focus, flair and midwinter heartbreak

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First Person: Jessica Duchen on writing about Beethoven's Immortal Beloved

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Frogs, Southwark Playhouse review - great songs save upd...

As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...

Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinb...

"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading...

Dara Ó Briain, Soho Theatre Walthamstow review - master stor...

Dara Ó Briain’s  has described his previous show So… Where Were We? – in which he describes his search for his birth...