thu 29/05/2025

Jessica Duchen

Articles By Jessica Duchen

The Excursions of Mr Brouček, Grange Park Opera review - biting satire from bouncing Czechs

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The Handmaid's Tale, English National Opera review - a red-hot classic for our times

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Damrau, Kaufmann, Deutsch, Barbican review - intermittent ignition

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LPO, Canellakis, Royal Festival Hall review - ecstatic sonorities at full pelt

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Kanneh-Mason, Terfel, RPO, Philharmonia Chorus, Petrenko, RAH review - an anniversary feast

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A Night at the Opera, BBC Philharmonic, Glassberg, BBC Proms review - six of the best

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Johnston, BBCNOW, Bancroft, BBC Proms - laments and luminosity

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András Schiff, Wigmore Hall review - mystery marvels mesmerise

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Europe Day Concert, St John's Smith Square online review – celebrating in style

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Benjamin Grosvenor, Barbican online review - black magic and golden-age gorgeousness

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Pushkin House Music Festival online review - Russian around Bloomsbury

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Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missing

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Christian Blackshaw, Wigmore Hall online review - pure as the driven snow

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András Schiff, Wigmore Hall review - Bach in isolation

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Oslo Philharmonic, Mäkelä online review - focus, flair and midwinter heartbreak

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First Person: Jessica Duchen on writing about Beethoven's Immortal Beloved

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Flying Dutchman, Opera Holland Park review - into the st...

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden...

The Frogs, Southwark Playhouse review - great songs save upd...

As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...