tv
The Dead Room, BBC Four review - ghosts at the microphoneTuesday, 25 December 2018
Fired by the spirit of the MR James ghost stories which used to be a Christmas staple on the BBC, Mark Gatiss conceived this amusing bonne bouche as both a seasonal chiller and a nod to the ghost of broadcasting past. Read more... |
Watership Down, BBC One review - run rabbit runSunday, 23 December 2018
The author of the original Watership Down novel, Richard Adams, used to insist that it was “just a story about rabbits”, but its eco-friendly theme and warnings about the destruction of the natural environment were impossible to miss. In the 46 years since Adams wrote it, these concerns have become vastly more pressing, and his depiction of displaced rabbits wandering the earth in search of a new home could hardly be more topical. Read more... |
The Sound of Movie Musicals with Neil Brand, BBC Four review - genius of song and danceSaturday, 22 December 2018
The movie musical: money making or true art – or both? This was a programme to sing along to, in the company of Judy Garland and Gene Kelly, Elvis Presley and Cliff Richard. Read more... |
The Long Song, BBC One, series finale review - a stirring adaptationFriday, 21 December 2018
There was a ruthless logic to the scheduling of The Long Song (BBC One). Read more... |
Springsteen on Broadway, Netflix review - one-man band becomes one-man showSaturday, 15 December 2018
When Bruce Springsteen’s one-man show opened at the Walter Kerr Theatre on New York’s West 48th Street in October last year it was only supposed to run for six weeks. Read more... |
The Good Place, E4 review - episode one trails clouds of gloryFriday, 14 December 2018
Welcome to your first day in the afterlife! Everything is fine! Eleanor Shellstrop (a sparkling Kristen Bell) is dead, but hey, that’s cool, because she’s made it into the Good Place. Michael (the divine Ted Danson) is architect of this brightly coloured afterlife with its abnormally high ratio of frozen yoghurt parlours. “People love frozen yoghurt. I don’t know what to tell you,” sighs Michael. Read more... |
Mrs Wilson finale, BBC One review - stranger than fictionWednesday, 12 December 2018
As the priest said, "Understanding comes first, then forgiveness". Thus the rather enjoyable (if slightly overstretched) Mrs Wilson came to a not exactly happy, but certainly forgiving, ending. Ruth Wilson held the screen over three episodes of this period drama, playing her own real life grandmother Alison Wilson. Read more... |
Sir Cliff Richard: 60 Years in Public and in Private, ITV review - bachelor boy bounces backTuesday, 11 December 2018
It was when he was on holiday at his agreeable estate in the Algarve in August 2014 that Cliff Richard got a phone call telling him his Berkshire home was being raided by the South Yorkshire Police. Read more... |
Care, BBC One review - a blunt but powerful polemicMonday, 10 December 2018
You wouldn’t turn to Jimmy McGovern for a drawing-room comedy, but there’s no doubting his gift for seizing big issues and turning into them raw, bleeding chunks of drama. You’re either for him or against him, but if you’re against him he’d love to grab you by the throat and shake you into seeing it his way. Read more... |
Barbra Streisand: Becoming an Icon 1942-1984, BBC Four review - the way she wasSunday, 09 December 2018
Perhaps belatedly prompted by the release of Barbra Streisand’s new album Walls, the worst-selling disc in her 55 years with Columbia Records, this documentary was an uncritical celebration of Babs’s brilliant career from her first stage appearances in the late Fifties to the joys of Hello, Dolly!, The Way We... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...
There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...
Bergerac, U&Drama review - the Jersey 'tec is born...
They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...
A Knock on the Roof, Royal Court review - poignant account o...
The war in Gaza has been going since 7 October 2023 – that’s about 15 months. But it’s strangely absent from British stages...
The Last Showgirl review - Pamela Anderson stars as a middle...
Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”,...
The Score, Theatre Royal Haymarket review - curious beast of...
Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words...
Album: Abel Selaocoe - Hymns of Bantu
The musician Abel Selaocoe reaches out to the ancestors, African and European, continuing a journey that spans continents and centuries, an...
The Ferryman, Gaiety Theatre, Dublin review - Jez Butterwort...
Dublin theatregoers have been inundated with Irish family gatherings concealing secrets or half-buried sorrows, mixing “bog gothic” with very real...
Helen Charlston, Sholto Kynoch, Temple Church review - fine...
Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and...