tv
American History's Biggest Fibs with Lucy Worsley, BBC Four review - rewriting history in the Land of the FreeFriday, 18 January 2019
The multi-costumed Lucy Worsley is television marmite, loved or loathed: her gesticulating enthusiasm can grate, as can her stream of bland platitudes. Typically the title is Worsley-twee, evoking fibs instead of lies and falsehoods; are we in the nursery, as smart Nanny Worsley seems to think? Read more...
|
Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties originalThursday, 17 January 2019
Perhaps inspired by the success of the revived Hawaii Five-O, CBS and Universal have gone back to the Eighties, and back to Hawaii, to see if the venerable Magnum P.I. could benefit from a similar overhaul. Early evidence suggests that as formulaic American dramas go, it’s… sort of business as usual. Read more... |
Cold Feet, Series 8, ITV, review - mortality liteTuesday, 15 January 2019
How much more is there to say about the thrills and spills of midlife? Cold Feet made a surprisingly nimble return to ITV a couple of series ago after a long furlough. There was little evidence of stiff joints or saggy bottoms in Mike Bullen’s writing as he welcomed a gang of teens to the cast list. Read more... |
On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'rollFriday, 11 January 2019
On Drums was inhabited by a parade of fine-looking young and middle aged multi-ethnic anglophone drummers, all introduced by Stewart Copeland, the American drummer of the Police. Read more... |
Catastrophe, Series 4, Channel 4 review - final series starts stronglyWednesday, 09 January 2019
Some may have thought that Catastrophe (Channel 4) had neared the end of the road with the third series, but I disagree. It was still managing, with some deftness, to pull off the difficult trick of mixing broad humour with serious themes of love, attraction and the difficulties of parenthood. Read more... |
Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV showWednesday, 09 January 2019
Read theartsdesk review of Call My Agent!, Series 4 Read more... |
Brexit: The Uncivil War, Channel 4 review - Benedict Cumberbatch gets the best tunesTuesday, 08 January 2019
One day this all will be over. Give it half a century. In 50 years' time, there will be documentaries in which today’s young, by then old, will explain to generations yet unborn exactly how and why Britain went round the twist in 2016. Read more... |
Luther, Series 5, BBC One review - welcome return for Idris Elba's maverick 'tecWednesday, 02 January 2019
“Can you breathe?’ “Yeah.” “Shame, that”. Another ne’er-do-well is being banged to rights after a chase through container stacks in the dark. Luther is back, and he hasn’t upgraded his Volvo or changed his tweed coat – but we don’t really mind, do we? Read more... |
Escape at Dannemora, Sky Atlantic review - Ben Stiller's breakout drama impressesWednesday, 02 January 2019
The facts of Escape at Dannemora (Sky Atlantic) are notorious in America. Convicted murderers Richard Matt and David Sweat escaped from Clinton Correctional Facility in upstate New York. Indeed a less enquiring version of the story might have been called Escape from Dannemora. But the preposition is key. Read more... |
Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptationMonday, 31 December 2018
There’s no singing, no Hugh Jackman and no Anne Hathaway, and the dolorous tone of Andrew Davies’s new adaptation of Victor Hugo’s sprawling novel is established in the opening scene. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Guards at the Taj, Orange Tree Theatre review - miniature ma...
It’s 1648 in Agra, and an excitable young guardsman has come up with an idea: a giant flying platform that he calls an “aeroplat”. As...
Anora review - life lesson for a kick-ass sex worker
Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...
Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hal...
Last time I saw the lovelorn Cyclops from Handel’s richly turbulent cantata, Aci, Galatea e Polifemo, he was in a warehouse at Trinity...
Road Diary: Bruce Springsteen and the E Street Band, Disney+...
Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made...
Blitz review - racism persists as bombs batter London
Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was...
The Buddha of Suburbia, Barbican Theatre review - farcical f...
Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost...
Small Things Like These review - less is more in stirring Ir...
There’s much to note and commend about Small Things Like These, a sensitive, gorgeously shot and moving adaptation of Claire Keegan’...
Album: Willie Nelson - Last Leaf on the Tree
Well, seems like only yesterday when I reviewed Willie Nelson’s last album, Borderline, an excellent set from the man’s ninth decade, and...
Rigoletto, English National Opera review - another hit for M...
How we used to mock those stuck-in-the-mud opera houses that wheeled out the same moth-eaten production of some box-office favourite decade after...