tv
Bodyguard, BBC One, series finale review - gripping entertainment of the highest calibreMonday, 24 September 2018
And breathe. Bodyguard – not, as even some careless BBC broadcasters keep calling it, "The Bodyguard" – careered to a conclusion as if hurtling around a booby-trapped assault course. Read more... |
A Discovery of Witches, episode 2, Sky 1 review - when the sorceress met the vampireSaturday, 22 September 2018
Witches, vampires and magicke of all descriptions continue to be big box office, so Sky 1’s new dramatisation of the first book of Deborah Harkness’s All Souls Trilogy should be finding a ready-made audience. Read more... |
Strangers, episode 2, ITV review - conspiracy theories multiplyTuesday, 18 September 2018
You might consider it odd that a man whose wife spends half the year in Hong Kong without him hasn’t managed to get around to catching a plane from Heathrow to visit her in the Far East, but that is the case with Jonah Mulray, the stressed-out protagonist of Strangers. Jonah’s excuse for his marital negligence is that he’s “scared of flying”. Read more... |
Killing Eve, BBC One review - the dying gameSunday, 16 September 2018
It may be a sign of the times that the two lead performances in Killing Eve are female, with Jodie Comer fizzing hyperactively as shape-shifting assassin Villanelle and Sandra Oh (from Grey’s Anatomy) as British intelligence officer Eve Polastri (pictured below). Yet simultaneously, the show has a comic campness and air of fantasy that feels Sixties-like, reminiscent of such timewarp delights as The Avengers or Modesty Blaise. Read more... |
Classic Albums: Amy Winehouse - Back to Black, BBC Four review - suffering turned into songSaturday, 15 September 2018
Formats are second nature to TV: the BBC and Eagle Rock’s Classic Albums will run and run. Like all formats, there’s always the risk that the medium becomes the message, and content suffers under the weight of form. Read more... |
Black Earth Rising, BBC Two review - Blick's new blockbusterTuesday, 11 September 2018
As writer and director, Hugo Blick has brought us two of the twistiest dramas in recent-ish memory (The Shadow Line and The Honourable Woman). Read more... |
Wanderlust, BBC One review - an unflinching look at stale sexWednesday, 05 September 2018
What signals the end of a relationship? The loss of attraction? Infidelity? Or is it, as Wanderlust explores, something more innocuous? Read more... |
Vanity Fair, ITV review - seductions of social climbingMonday, 03 September 2018
Emcee Michael Palin, as William Makepeace Thackeray himself, introduces us to the show: “Yes, this is Vanity Fair; not a moral place certainly; nor a merry one, though very noisy.” All his major characters – or “puppets” – are riding a fairground carousel. They – and very soon, we – are having a great time. Read more... |
Keeping Faith, BBC One, series finale review - we need to talk about EvanFriday, 31 August 2018
It’s been a long haul for Keeping Faith. The drama was shot in Welsh and English simultaneously, and premiered in the former with subtitles on S4C at the back end of 2017. It switched to the latter language on BBC One Wales earlier this year. Read more... |
Bodyguard, BBC One, episode 2 review - a wild ride to who knows whereTuesday, 28 August 2018
It was always a question of when. As in when would the hoity-toity Home Secretary and her poker-faced bodyguard move into the horizontal? “I’m not the queen, you know,” she said, by way of a hot come-on. “You can touch me.” As a mode of discourse, this marked quite a step-up from the first episode of Jed Mercurio's new drama. Then the Rt Hon Julia Montague didn’t even want his vote. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Guards at the Taj, Orange Tree Theatre review - miniature ma...
It’s 1648 in Agra, and an excitable young guardsman has come up with an idea: a giant flying platform that he calls an “aeroplat”. As...
Anora review - life lesson for a kick-ass sex worker
Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...
Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hal...
Last time I saw the lovelorn Cyclops from Handel’s richly turbulent cantata, Aci, Galatea e Polifemo, he was in a warehouse at Trinity...
Road Diary: Bruce Springsteen and the E Street Band, Disney+...
Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made...
Blitz review - racism persists as bombs batter London
Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was...
The Buddha of Suburbia, Barbican Theatre review - farcical f...
Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost...
Small Things Like These review - less is more in stirring Ir...
There’s much to note and commend about Small Things Like These, a sensitive, gorgeously shot and moving adaptation of Claire Keegan’...
Album: Willie Nelson - Last Leaf on the Tree
Well, seems like only yesterday when I reviewed Willie Nelson’s last album, Borderline, an excellent set from the man’s ninth decade, and...
Rigoletto, English National Opera review - another hit for M...
How we used to mock those stuck-in-the-mud opera houses that wheeled out the same moth-eaten production of some box-office favourite decade after...