thu 28/11/2024

tv

SAS Rogue Heroes, BBC One review - rock'n'roll desert warfare from the pen of Steven Knight

Adam Sweeting

Irregular warfare has proved to be a speciality with the British armed forces. This new six-part series, based on Ben Macintyre’s 2016 book, tells the story of the chaotic birth of the Special Air Service during the war in North Africa in 1941, and it's a rollicking ride.

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All Creatures Great and Small, Series 3 finale, Channel 5 review - revived vet show still strikes a popular note

Adam Sweeting

Ben Vanstone, the showrunner for Channel 5’s hit revival of All Creatures Great and Small, originally foresaw it as stretching over four seasons, but has subsequently revised his opinion. With the third series ending and the fourth already in preparation, he now foresees broader horizons. “Everything in this show plays out slower than you think it would,” he commented.

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The Watcher, Netflix review - fear and loathing in the New Jersey suburbs

Adam Sweeting

Netflix can’t get enough of Ryan Murphy, whose list of productions with the super-streamer includes Halston, Ratched and recent hit Monster: The Jeffrey Dahmer Story. Now here he is again with The Watcher, a teasing little mystery based on a true story about a couple moving into their dream home in New Jersey only to be confronted with anonymous threats and hair-raising goings-on.

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TS Eliot: Into The Waste Land, BBC Two / Four Quartets, Starring Ralph Fiennes, BBC Four review - a great 100th birthday present to a giant of modern literature

Helen Hawkins

Can you make modern poetry come to life on a TV screen? The BBC has had two stabs recently at answering this question, as part of the centennary celebrations for TS Eliot’s The Waste Land, seen by many as the greatest poem of the 20th century. One programme works significantly better than the other. 

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Karen Pirie, ITV review - cold case mystery drags itself across the finish line

Adam Sweeting

Although plaudits have been rolling in for Lauren Lyle’s smart and sparky portrayal of the titular detective in Karen Pirie (ITV), getting to the end of the third and final episode felt like a long slog.

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Inside Man, BBC One review - strong cast trapped on a sinking ship

Adam Sweeting

Screenwriter and showrunner Steven Moffat is renowned for some of his work, especially Sherlock, but other stuff not so much (I direct you towards Dracula or The Time Traveler’s Wife). When the history is written, Inside Man is liable to languish at the dog’s-breakfast end of the Moffat canon.

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This England, Sky Atlantic review - how Boris's No 10 got Covid wrong

Helen Hawkins

From underneath the messy ash-white thatch of hair, a strange mooing suddenly issues: Sir Kenneth Branagh is wrestling with Boris Johnson’s odd way of saying the “oo” sound. It’s a brave attempt but ultimately a bit wayward, rather like the drama series Branagh is starring in, This England, Michael Winterbottom’s six-part reconstruction of Boris’s early days as PM, Covid, lockdown and all. 

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Am I Being Unreasonable?, BBC One review - comedy thriller delivers the gags

Veronica Lee

In case you're not au fait with Mumsnet, the title of Daisy May Cooper's follow-up creation to the stupendous This Country is a nod to the parenting website's readers' questions corner, where the responses boil down to “Yes, you are” and “No, you're not” in equally judgmental proportions. (Although, it has to be said, sometimes the replies are far from that and can be funny or helpful.)

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Crossfire, BBC One review - pacy and nail-biting, the holiday from hell

Helen Hawkins

A sun-baked island resort; Keeley Hawes taking a leisurely dip in an infinity pool as we hear her in voiceover musing on how events happen unchosen, with you in them; then we are up in her room, where she is texting somebody. The sounds of gunshots and mass panic jolt her into action. She rushes for her trainers – not flipflops, she admonishes herself, you are going to need to run.

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The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusion

Helen Hawkins

[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip the reality of what it can currently achieve, but he can sure spin a gripping TV series around AI's potential for creating chaos in the wrong hands. 

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