tv | Page 114 | The Arts Desk

tv

Kew's Forgotten Queen, BBC Four

Marina Vaizey Tuesday, 27 September 2016

The indefatigable Victorian spinster Marianne North (1830-1890) is the most interesting artist you've never heard of. The upper-middle-class Ms North thought marriage a terrible experiment, and with her single state allowing her control of her fortune, she took to cultural and physical independence. Her rich landowner father, Frederick, MP for Hastings, knew everyone who was everyone, including Sir William Hooker, director of Kew.

Comment

Paranoid, ITV

Jasper Rees Friday, 23 September 2016

They keep on coming, these crime dramas, from every direction. The Viking invasion continues, the co-productions with France, the ongoing American global takeover. Meanwhile back in Blighty, Red Productions have been a reliable source of quality drama since the 1990s. Their most recent forays into crime have both involved Sally Wainwright: Happy Valley was theirs, and so was Scott & Bailey.

Brexit: A Very British Coup?, BBC Two

Barney Harsent Friday, 23 September 2016

This look back at the events earlier this year when the country elected to buy a car, sight unseen – and from proven liars – to drive us into an imagined and politically unstable future, was a little confusing to me at first. Now, I do remember a fat, milky manchild holding a pasty aloft like some kind of magic totem – that definitely happened.

Comment

Gaga for Dada: The Original Art Rebels, BBC Four

Florence Hallett Thursday, 22 September 2016

If you’ve had half an eye on BBC Four’s conceptual art week, you’ll have noticed that the old stuff is where it’s at, with Duchamp’s urinal making not one but two appearances, equalled only by Martin Creed, that other well-known, conceptual stalwart (who actually isn’t as old as he looks).

National Treasure, Channel 4

Adam Sweeting Wednesday, 21 September 2016

Arresting elderly entertainers for historic sexual abuse now appears to be the primary function of the police, and here they are doing it again in Jack Thorne's new drama about veteran comic Paul Finchley.

Comment

Bricks!, BBC Four

Marina Vaizey Wednesday, 21 September 2016

The wilder shores of contemporary visual art are now ephemeral or time-based: performance, installation, general carry-on and hubbub. But once upon a time – say, the 1960s – it was the nature of objects, pared down to essentials, and often made from real materials sourced from the streets, builders’ yards and shops, that startled: the idea made manifest without old-fashioned notions of the hand-made, craft or manual skill.

Comment

The Night Of, Sky Atlantic

Adam Sweeting Friday, 16 September 2016

On the face of it a murder mystery, The Night Of develops steadily into a panoramic survey of the American justice and prison system and attitudes to race and class. Produced by BBC Drama and HBO, it's based on the BBC's 2008 series Criminal Justice (which starred Ben Whishaw). The good news is you can watch all eight episodes right away on Now TV.

Natural World: Jaguars – Brazil's Super Cats, BBC Two

Marina Vaizey Thursday, 15 September 2016

In film and photography, zoos and on safari (we should be so lucky) we admire the great cats, kings of jungle and forest, top of the food chain, predators, and gorgeous to boot. But in spite of this admiration, some human populations hardly bear affection for the cheetah or lion because of their perceived threat to cattle, while human encroachment on their habitat is leaving many a feline population vulnerable and endangered.

British Sitcom: 60 Years of Laughing at Ourselves

Veronica Lee Tuesday, 13 September 2016

Sixty years of sitcoms in 60 minutes? That's a big ask, but the makers of this whizz-through of British sitcoms tried, with a mega session of clips and comedy experts opining about them in a one-off documentary charting the importance of sitcom in British broadcasting history.

Absolutely Fashion: Inside British Vogue, BBC Two

Markie Robson-Scott Friday, 09 September 2016

Documentary film-maker Richard Macer, who has only just bought his first copy of Vogue, is embedded in the magazine in its centenary year. “The office here is a very polite and guarded world,” he murmurs nervously. “Over the next few months I’m hoping to get under the skin of the place, find out what the rules are.”