Theatre Reviews
The Glow, Royal Court review – bizarre, beautiful and breathtakingMonday, 31 January 2022
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others such as bewitching and beguiling, buzzing in my mind. Read more... |
Dr Semmelweis, Bristol Old Vic review - dazzling but overloadedFriday, 28 January 2022
Dr Semmelweis, a star vehicle for Mark Rylance, one of Britain’s most versatile and talented actors, fills the Bristol Old Vic with a dizzying kaleidoscope of words, sounds and images. Read more... |
Ava: The Secret Conversations, Riverside Studios, Hammersmith review - about Ava Gardner's effingThursday, 27 January 2022
“The penis. Have you or have you not discussed the penis?” The question that haunts every journalist commissioned to ghost the memoirs of a Hollywood legend (female). Get the dirt on the boyfriend and forget the childhood stuff. Read more... |
Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapismFriday, 21 January 2022
One of the many theatrical casualties of Omicron in December was the official UK opening of Moulin Rouge!, the stage version of Baz Luhrmann’s indelible 2001 film that has already racked up 10 Tony Awards for its 2019 Broadway production (albeit in a depleted season). Read more... |
Thrill Me: The Leopold & Loeb Story, Jermyn Street Theatre review - True Crime musical gets West End showcaseWednesday, 19 January 2022
There's a lot of True Crime stuff about, so it's hardly a surprise to see Stephen Dolginoff's 2003 off-Broadway musical back on the London stage, a West End venue for the Hope Theatre's award-winning 2019 production. Whether one needs to see a pair of charismatic child killers given a platform to explain their crimes while the victim, Bobby Franks, is merely a name, his face as absent as it was after the acid was poured all over it – well, you can make your own judgement about that. Read more... |
Goldilocks and the Three Bears, Birmingham Hippodrome review - Jason Donovan makes his panto debutMonday, 17 January 2022
There was a time when UK pantomime was heavily populated by Australian soap stars; rather late in the day Jason Donovan – formerly known as Scott from Neighbours – makes his panto debut, as Count (careful how you pronounce that, Jason) Ramsay of Erinsborough. Read more... |
The 4th Country, Park Theatre review – sympathetic and intriguingMonday, 17 January 2022
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and language. Read more... |
David Suchet - Poirot And More, A Retrospective, Harold Pinter Theatre review - the much-loved actor looks backWednesday, 12 January 2022
In the 80s, An Audience With... gave a television studio to an actor who then recounted stories culled from a life in entertainment. The best subjects were the natural raconteurs with plenty to say - Billy Connolly, Barry Humphries, the incomparable Kenneth Williams - and it's a testament to the format's longevity that Adele did one as recently as November. Read more... |
Force Majeure, Donmar Warehouse review - fissures in a marriageTuesday, 11 January 2022
It sounds like the title of a play by Rattigan. No such luck: “Force Majeure” – a legal term with which all too few will be familiar, in which circumstances beyond anyone’s control cancel a contract – is how Ruben Östlund’s 2014 film Turist is known beyond Sweden (an American remake with Will Ferrell and Julia Louis-Dreyfus, not good by all accounts, has much the best title, Downhill). Read more... |
Folk, Hampstead Downstairs review - thoughtful play about folklorist Cecil SharpThursday, 06 January 2022
Cecil Sharp, heritage hero or imperialist appropriator? If you attended school in the first half of the 20th century, you would have sung from his collections of English folk songs, and probably gritted your teeth and performed the country dances he recorded, too. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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