Theatre Reviews
Titus Andronicus, Sam Wanamaker Playhouse review - notorious play hits and missesFriday, 03 February 2023
If All's Well That Ends Well, Measure for Measure and Troilus and Cressida have earned the sobriquet "‘problem plays", what price Titus Andronicus? Does a director seek out a Saw vibe for the horror? Do they go for a deadpan Spinal Tap’s disappearing drummers for the demises? Read more... |
2:22 A Ghost Story, Lyric Theatre review - Cheryl makes an impressive stage debutFriday, 03 February 2023
The set of 2:22 A Ghost Story is open to the auditorium when we arrive and locates us at once in gentrification-land. We are in a slick kitchen with white chevron tiling, new units and an obligatory island; big skylights loom overhead and outsize glass doors lead to the back garden - and the foxes. Their mating screams will terrifyingly punctuate the action, at maximum decibels. Read more... |
Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the dramaThursday, 02 February 2023
Culture which arrives from the margins to the mainstream is a classic phenomenon. Read more... |
Two Billion Beats, Orange Tree Theatre review - lively, but overly idealisticWednesday, 01 February 2023
Do the right thing! But doing the right thing isn’t easy – especially if you are a teen. And a female teen who is being pressurised by your mother and your school teacher. It takes courage to make the best decisions, it’s scary and it’s hard. Read more... |
Othello, Lyric Hammersmith review - Frantic Assembly's high-energy take on the MoorTuesday, 31 January 2023
Frantic Assembly’s Othello, originally co-developed with the Lyric in 2008, is back in its third iteration, and it’s still not exactly the play you studied at school or saw other companies perform. In some ways, that’s all to the good. Read more... |
Sound of the Underground, Royal Court review - loud and triumphantly proudMonday, 30 January 2023
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her Upstairs. No? Well, not to worry – the Royal Court’s latest provides a fabulously extravagant simulation of the experience with its staging of Sound of the Underground, a play written by Travis Alabanza – whose classic Burgerz is coming to the Purcell Room in March – and directed by his co-creator Debbie Hannan. Read more... |
Noises Off, Phoenix Theatre review - much revived classic farce gains in poignancyFriday, 27 January 2023
There’s a chance – a slim one – that you haven’t seen Noises Off, Michael Frayn’s farce about a farce that, as legend has it with The Rocky Horror Show, must surely be going up somewhere in the world every day. Read more... |
Charlie & Stan, Wilton’s Music Hall, review - a beguiling fantasy about two silent comedy greatsFriday, 27 January 2023
Imagine what would have happened if the young Charlie Chaplin and Stan Laurel were cabin-mates on a transatlantic liner. The Told by an Idiot company did just that, and the result is this show, a return visitor to the International Mime Festival, now bearing awards. Read more... |
The Unfriend, Criterion Theatre review - dark comedy is (largely) audience-unfriendlySaturday, 21 January 2023
We all have that friend. The person you met on holiday and couldn’t shake off. You added each other on Facebook, but they posted so much you’ve quietly unfollowed them. You can’t quite bring yourself to unfriend them, though. Read more... |
Allegiance, Charing Cross Theatre review - George Takei's childhood story makes a heartfelt musicalFriday, 20 January 2023
Like families, nations have secrets: dirty linen that they prefer not to expose to the light of day. Patriotic myths need to be protected, heroic narratives shaped, good guy reputations upheld. In 1942, the USA rounded up Japanese-Americans and locked them away in the badlands of the Midwest and promptly forgot about them – and then worked hard to keep it that way in the decades that followed. It’s likely you didn’t know that and it’s no accident if so. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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