sat 26/07/2025

Theatre Reviews

For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy, Apollo Theatre review - a turbo-charged, game-changing piece of theatre

Helen Hawkins

For a show that comes with a trigger warning about the themes of racism, gang violence, toxic relationships, sexual abuse, child abuse, domestic violence and suicide it will tackle, For Black Boys… is unexpectedly joyful.

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Drive Your Plow Over the Bones of the Dead, Complicité, Barbican review - murder in the forest

mark Kidel

Complicité, the adventurous theatre company led today by Simon McBurney, one of its founders, is now 40. Over the last four decades, McBurney and his collaborators have changed the face of theatre.

Rooted in the training of Jacques Lecoq, along with Robert Lepage, Ariane Mnouchkine and others, they have created work that combines poetry and intelligence, illuminating the stage in a way that combines the inspiration of the best story-telling with the play of the imagination.

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Berlusconi, Southwark Playhouse Elephant review - curious new musical satire

Gary Naylor

One wonders if Ricky Simmonds and Simon Vaughan pondered long over their debut musical’s title. Silvio might invite hubristic comparisons with Evita (another unlikely political leader), but Berlusconi feels a little Hamilton – too soon? They went with the surname of their anti-hero which appears a mite unwieldy on the playbill.

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Black Superhero, Royal Court review - ambitious, but messy

aleks Sierz

The act of idol worship is, at one and the same time, both distantly ancient and compellingly contemporary. Whether it is Superman, Wonder Woman or Black Panther, our love of the superhero is both an aspiration and an abnegation. Looking at a star, the fan sees both their own potential and feels their own inferiority.

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Dance of Death, National Theatre of Norway, Coronet Theatre review - straight for the jugular

David Nice

You don’t have to be Scandinavian to act out Strindberg’s fantastical extremes at the highest level, but I’ve not seen any British performers come close to what Norwegians are giving us right now at the Coronet Theatre. Expectations ran high following Pia Tjelta’s lacerating performance in Ibsen’s Little Eyolf in 2018 and her Ellida in The Lady from the Sea the following year, and here, as then, she and her colleagues are simply stunning.

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The Way Old Friends Do, Park Theatre review - sweet, but flimsy

aleks Sierz

Is it a good idea to work with your spouse? The Way Old Friends Do, a love letter to ABBA tribute bands – which premiered at the Birmingham Rep last month and now visits the Park Theatre in north London – is a joint venture by actor and first-time playwright Ian Hallard and Mark Gatiss, who is both his director and his husband.

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Marjorie Prime, Menier Chocolate Factory review - superbly acted chiller about a contemporary crisis

Helen Hawkins

Artificial intelligence has become an even hotter topic since Jordan Harrison’s Marjorie Prime was first staged in Los Angeles in 2014, so it’s not surprising that the play’s handling of AI is being seen as its unique selling point. (It subsequently played Off Broadway and was made into a film.) 

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Further Than the Furthest Thing, Young Vic review - small island longings

aleks Sierz

Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember seeing Zinnie Harris’s evocatively titled Further Than the Furthest Thing in 2000, and marveling at its strange beauty and linguistic flair.

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Guys and Dolls, Bridge Theatre review - exuberant new production of the 1950 masterpiece

Helen Hawkins

It now seems an inevitability that Marisha Wallace will be a frontrunner at next year's theatre awards, not just this year’s.

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Under the Black Rock, Arcola Theatre review - political thriller turns soapy

Gary Naylor

“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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