Theatre Reviews
Invisible, Bush Studio review - engaging monologue about Brown cultural identityTuesday, 30 May 2023
The Bond film theme plays and the lights go up at the Bush’s Studio space to reveal, not a tuxedoed superspy, but a slim figure in casual clothes sitting on a raised platform. He starts his first speech, then stops, makes asides to the audience, then restarts it. Then wishes it was a film, “which it isn’t”. Read more... |
Moby Dick, Brighton Festival 2023 review - way more than your average puppet showSaturday, 27 May 2023
Perhaps one of the most intriguing aspects of contemporary puppetry is its ability to skew our perception of reality so entirely that our senses become more heightened as we wait with meta-awareness in excited anticipation for what comes next – whether we know the story or not. Read more... |
Aspects of Love, Lyric Theatre review - not much has actually changedFriday, 26 May 2023
Love may change everything, as we're reminded multiple times during Andrew Lloyd Webber's rabidly polyamorous Aspects of Love, but certain things about this 1989 London hit (and subsequent Broadway flop) are fixed. Read more... |
A Midsummer Night's Dream, Shakespeare's Globe review - busy production overflowing with new ideasThursday, 25 May 2023
Two years on from Sean Holmes’ production and seven on from Emma Rice’s (both of which featured diverse casts), Elle While takes a turn with the old warhorse’s lovers and fairies, its sparring couples and its Morecambe and Wise-like shambles of a play-within-a-play. Read more... |
F**cking Men, Waterloo East Theatre - sex and not much elseMonday, 22 May 2023
“This audience is very diverse, isn’t it?” joked one of the audience members at Fucking Men at Waterloo East Theatre, a reworking of Tony-winning writer Joe DiPietro’s seminal 2008 play (itself a reworking of Arthur Schnitzler’s La Ronde, written in 1897). Read more... |
Dear Billy, Traverse Theatre, Edinburgh review - powerful tribute to Scottish prideMonday, 22 May 2023
Anyone expecting to see the Big Yin himself, Gary McNair breathlessly explains as he dashes on stage, should nip out and ask the box office for a refund. It’s an ice-breaking gag that sets the tone nicely for McNair’s fast-moving, often snort-inducingly funny tribute to Billy Connolly, whose production by the National Theatre of Scotland is touring the country until the end of June. Read more... |
A Very Old Man with Enormous Wings, Brighton Festival 2023 review - Gabriel Garcia Marquez in a creative retellingMonday, 22 May 2023
Brighton Festival has a knack for choosing children’s theatre that is in equal measure as magical and captivating as it is simple and easy to understand. It’s an equation that means both adults and children alike can be sure to have an experience that promotes creative imagination, stimulating conversation and calm reflection. Read more... |
The Comedy of Errors, Shakespeare's Globe review - comedy and confusionSaturday, 20 May 2023
Shakespeare drew on Plautus’s Menaechmi for this early short comedy. Was it his competitive streak that made him up the ante with not one set of identical twins but two? Read more... |
Anna Karenina, Lyceum Theatre, Edinburgh review - nimble, sweary staging of Tolstoy's iconic novelSaturday, 20 May 2023
How do you cram a thousand-page novel, a cast of dozens and profound philosophical ponderings on love, fidelity, class and freedom into a two-and-a-half hour stage show? If you’re Lesley Hart – adapter of Tolstoy’s Anna Karenina at Edinburgh’s Lyceum Theatre (from where it hops down south to Bristol Old Vic in June) – it’s with nimbleness, clear-sighted focus, and really quite a lot of swearing. Read more... |
A Brief List of Everyone Who Died, Finborough Theatre review - 86 years, punctuated by fun and funeralsSaturday, 20 May 2023
The family pet dies. It’s a problem many parents face, and when Gracie learns from her evasive father that her dog isn’t just gone, but gone forever, her five-year-old brain cannot process it and so begins a lifelong relationship with deaths, funerals and grief. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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