Theatre Reviews

Long Day's Journey Into Night, Apollo Theatre

Ismene Brown Wednesday, 11 April 2012

We’ve seen a few American film and TV actresses grace the West End stage with surprising potency, but no one surely will surpass Laurie Metcalf for profound emotional truth-telling in Eugene O’Neill’s shattering family drama, given an unbeatably cast new production in London’s West End.

Wonderful Town, The Lowry, Salford

philip Radcliffe Thursday, 05 April 2012

The cultural triumvirate of the Hallé Orchestra, the Royal Exchange Theatre and The Lowry have joined forces for this new production of the 1953 hit musical Wonderful Town. Leonard Bernstein would surely have been a happy man to hear his score, dashed off in a mere five weeks at short notice, played by the 65-strong Hallé Orchestra conducted by Sir Mark Elder, who has been nursing the ambition to do the show here since he saw the 2004 Broadway production.

Monkee Business the Musical, Opera House, Manchester

philip Radcliffe Wednesday, 04 April 2012

The world premiere here of Monkee Business the Musical was planned long before the untimely death in February of Davy Jones, the Manchester-born member of the manufactured band that outsold The Beatles and the Rolling Stones half a century ago. The coincidence lends a poignancy to the event and the Manchester run has been dedicated to his memory.

Comment

Uncle Vanya, The Print Room, London

alexandra Coghlan Monday, 02 April 2012

A play of boundaries, limitations, barriers, one that gazes outwards while never crossing the threshold, Uncle Vanya is often betrayed by the physical space of major stagings. In a new production at Notting Hill’s The Print Room the audience find themselves trapped along with Vanya, Sonya and their dysfunctional family in a single room. Ranged around the four walls we crowd in upon the (in)action, waiting together with the characters for the rupture that will release the tension.

The Duchess of Malfi, Old Vic

Veronica Lee Thursday, 29 March 2012

This is the Jacobean tragedy that probably gave Quentin Tarantino his best ideas - by the end of the night the body count is almost in double figures through stabbings and strangulations. But even as the fake blood flows and the gurglings mount, Jamie Lloyd's sturdy but sometimes sluggish production of John Webster's masterpiece (c 1614) isn't exactly gripping.

The King's Speech, Wyndham's Theatre

Demetrios Matheou Wednesday, 28 March 2012

Little more than a year since The King’s Speech hit pay dirt at the Oscars, David Seidler’s tale of a prince stuttering between duty and impediment takes to the stage. Rather than a speedy and cynical exploitation of the film’s success, the move actually reflects Seidler’s original ambition for his story; and while we might reasonably have feared déjà vu and a pale shadow of the film, what we discover is a thematically richer, yet equally delightful experience.

Vera Vera Vera, Royal Court Theatre

aleks Sierz Tuesday, 27 March 2012

There is nothing quite so exciting as witnessing the debut of a fresh new voice. But young writers can be rather frail creatures, and their exposure in the high-profile Royal Court Young Writers Festival might sometimes highlight their failings as much as their virtues.

Comment

Filumena, Almeida Theatre

Matt Wolf Sunday, 25 March 2012

If it's possible to take a loving and empathic approach to decidedly intractable material, the director Michael Attenborough achieves precisely that with Filumena, in which Samantha Spiro follows on from (and surpasses) Judi Dench in author Eduardo De Filippo's title role of the one-time Neapolitan prostitute who in early middle age decides that what matters most is to be una mamma.

The Girl in the Yellow Dress, Theatre 503

aleks Sierz Saturday, 24 March 2012

Ethnic tensions in France have been in the news this week, with the siege of the gunman Mohammed Merah, so award-winning South-African penman Craig Higginson’s new play seems really timely. First seen in this country at the Salisbury Playhouse, and opening last night at Theatre 503 in south London, this story about the relationship between a French-Congolese student and an English teacher during a hot Parisian summer is full of emotion, and ideas.

The Master and Margarita, Barbican Theatre

Fisun Güner Friday, 23 March 2012

The Master and Margarita is a rare beast. Not only is it considered to be one of the greatest novels of the 20^th century, it also regularly tops reader-lists of all-time favourite books. So it’s no wonder that, since its publication in 1966, 26 years after the author’s early death, Mikhail Bulgakov’s Soviet-era masterpiece has attracted a steady stream of film-makers and theatre directors.

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★★★★★

‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

★★★★★

‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

Book by 30 September and get tickets from £15*
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