Sam Marlowe
Bio
Sam trained as an actor, and began her writing career as a critic and features writer for What's On In London magazine. She later became the magazine's theatre editor, before going on to work at The Independent, where she regularly contributed arts features. She is now a freelance arts journalist and regular theatre critic for The Times, Metro and the Chicago Tribune, and a judge for Theatre Awards UK.
Articles By Sam Marlowe
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Mickalene Thomas, All About Love, Hayward Gallery review - a...
On walking into Mikalene Thomas’s exhibition at the...
Album: bdrmm - Microtonic
Microtonic comes into focus on its third track, “Infinity Peaking.” Album opener “Goit,” featuring a guest vocal by Working Men’s Club’s...
Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbi...
At the age of 83, Martha Argerich contains more personality in...
Jessica Duchen: Myra Hess - National Treasure review - well-...
Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent...
Interview: Polar photographer Sebastian Copeland talks about...
Sebastian Copeland’s images of the Arctic may look otherworldly – with their tilting cathedrals of ice, hypnotic light, and fractured seascapes...
Rats on Rafts, The Victoria review - crepuscular Dutch quint...
An album is one thing, a live show is another. A truism of course, but one which is inescapable during this London date by the Rotterdam-based...
Blu-ray: Drugstore Cowboy
Rehab people will tell you there are three stages to drug abuse: fun; fun with problems; problems. There’s also a fourth phase, where there aren't...
A Thousand Blows, Disney+ review - Peaky Blinders comes to R...
Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our...
Fledermaus, Irish National Opera review - sex, please, we...
Let’s finally face the elephant in the room: the most popular Viennese operetta, packed with hit numbers, no longer works on the stage as a whole...