Theatre Reviews
Live from the National Theatre: 50 Years on Stage, BBC TwoSunday, 03 November 2013
These celebrations of our yesterdays can easily end up all camembert and wind. But while film people and television people will generally cock such things up, we do still have the odd cultural institution which can be relied upon to throw the right sort of party. For the National Theatre's golden jubilee, therefore, the stops were jolly well pulled out and the invitations damn well accepted from the actors who, striplings at the Old Vic in the Sixties, are now our own Oliviers and Ashcrofts... Read more...
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The Dumb Waiter, The Print RoomThursday, 31 October 2013
The best moment in this production of Pinter's The Dumb Waiter comes when one of the protagonists snatches up a piece of paper and bellows "Scampi!" at his bewildered partner in crime. The line is delivered with face-reddening passion and absolute seriousness, perfectly encapsulating this play's fascinating absurdity. Read more... |
Home, Arcola TheatreWednesday, 30 October 2013
This is a strange one. Precious little happens and, in some ways, little is said in David Storey's muted chamber play from 1970. Two men named Harry and Jack – getting on in years, but keeping up appearances in jackets and ties – linger on a patio that's skirted by grass and strewn with autumn leaves. The sun is shining softly. Low-level birdsong is just audible in Amelia Sears's strongly cast production, staged in-the-round in the Arcola's intimate studio space. Read more... |
The Scottsboro Boys, Young VicMonday, 28 October 2013
Forever breaking into song and dance, musicals are fun, fun, fun. They are primarily what folks go to for uplifting entertainment, are they not? Actually, many of the best aren't anything like that simplistic. Opening at the Young Vic last night, The Scottsboro Boys is no mere barrel of vacuous laughs, though it is comical and buoyant along the way. Read more... |
Middlemarch: Dorothea's Story, Orange Tree TheatreSaturday, 26 October 2013
Adapt a Jane Austen novel for the stage and you have a generous handful of characters and a selection of drawing rooms in which to put them. Adapt a George Eliot novel and you’re faced with a whole town of people – figures from grand houses, workhouses and everything in between. It’s quite a task, but one that Geoffrey Beevers has made his speciality. Read more... |
Arena: The National Theatre, Part One - The Dream, BBC FourFriday, 25 October 2013
How irksome in some ways for the National Theatre that both the glamour and the accessibility of cinema have bookended its first 50 years, when the company and, latterly, its Southbank home, are essentially driven by and dedicated to live performance. But it was Laurence Olivier’s film career, making him a household name, which helped secure for him the job as first director of the National Theatre in 1963. Read more... |
Raving, Hampstead TheatreFriday, 25 October 2013
The comedy of manners is not dead. It’s alive and kicking, often literally, at this north London venue in actor Simon Paisley Day’s new play. Although the title suggests a group of teenagers dancing in a warehouse, the actual subject of the play is a handful of couples who have left their children behind in order to spend three days relaxing in a remote countryside location. Throw in one or two wild cards and this laughter machine is soon turning over. Read more... |
From Here to Eternity, Shaftesbury TheatreThursday, 24 October 2013
“Love and pain is like peace and war - you want one you have to have the other.” It’s a line that pretty much sums up From Here to Eternity. The title of James Jones’s novel and the classic movie which it spawned gets rather lost in the new musical from Tim Rice, Stuart Brayson, and Bill Oakes. Read more... |
The Djinns of Eidgah, Royal Court TheatreWednesday, 23 October 2013
The Royal Court is justly proud of being the home of British new writing, but it is also a venue which has a great tradition of staging work from abroad. From bringing Brecht and Beckett here in the 1950s to its more recent international summer schools, this is a place where you might make the acquaintance of Eastern European, Latin American or Russian playwrights. Read more... |
The Love Girl and the Innocent, Southwark PlayhouseWednesday, 16 October 2013
Southwark Playhouse's new production of The Love Girl and the Innocent is London’s first in over 30 years, and there’s a reason Alexander Solzhenitsyn’s play rarely reaches the stage: it’s a lumpy mammoth of a script, demanding a cast upwards of 50, with stage directions that would be monumental if interpreted literally. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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