sat 01/03/2025

Theatre Reviews

Henry V, Noel Coward Theatre

Kate Bassett

It has been a hard slog, but he's emerging victorious in the end. Essentially, Shakespeare's Henry V tracks a military campaign. In Act One, the eponymous king declares war on France.

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Candide, Menier Chocolate Factory

David Benedict

How do you solve a problem like...no, not Maria, Candide? Musicals are loved for their scores – and Leonard Bernstein’s one for this really is a cracker – but they’re held together by their books, i.e. the script/dramatic context that makes audiences care about the characters and plot.

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Seussical the Musical, Arts Theatre

Katie Colombus

With the current nostalgia for all things Dr Seuss, now is surely a good time to treat your little ones to the zany nonsense-rhyme stories as they are bought to life on stage. Kirk Jameson’s production has arrived, courtesy of Sell a Door Theatre Company, at the small West End venue of the Arts Theatre, a quaint, quirky place befitting of a uniquely looney show.

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Gastronauts, Royal Court Theatre Upstairs

Matt Wolf

For increasing numbers of people, food is theatre, so what better time to combine the two into the slight, sweet, determinedly socially conscious evening that is Gastronauts? The Royal Court "happening" of sorts is catering to audiences of 60 per show during its sellout run. A devised piece that turns playgoers into diners while also asking them to question the ethics and ethos of food, the show in its questioning impulse seems the perfect antidote to festive-season excess...

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Jumpers for Goalposts, Bush Theatre

aleks Sierz

You can see why sport makes for good drama: it has competition, conflict and clashes of ego. It delivers a result, and it has a touch of glory. At its best, it can send you out of the theatre singing with joy. Or it can be a bit bathetic. Tom Wells, whose award-winning The Kitchen Sink was at this venue in 2011, returns with another small slice of life, this time about amateur Sunday footballers in Hull.

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The Culture Show: Vicky Featherstone - All Change at the Royal Court, BBC Two

Matt Wolf

I guess the BBC can't afford researchers or fact-checkers these days. If they could, perhaps something of substance might have arisen from their vacuous Culture Show profile of Vicky Featherstone, the gifted new artistic director of the Royal Court. Oh, and they have might have got the theatre's actual postcode right (SW1W 8AS, as per the Court website), rather than insisting twice on air that it's in (neighbouring) SW3.

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Once a Catholic, Tricycle Theatre

Veronica Lee

When Mary J O'Malley's play had its premiere in 1977, it must have seemed quite shocking – vivid descriptions of sex and the male anatomy (albeit only in the minds of boy-obsessed 15-year-old schoolgirls at a convent school), spiteful nuns and the occasional fruity language. Nearly four decades on, though, audiences at Kathy Burke's businesslike production – the first major revival of a play that has become a touring warhorse - wouldn't bat an eyelid at any of this.

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The Anatomy of Melancholy, Ovalhouse

alexandra Coghlan

The Anatomy of Melancholy (or to give it its full title - The Anatomy of Melancholy, What it is: With all the Kinds, Causes, Symptomes, Prognostickes, and Several Cures of it. In Three Maine Partitions with their several Sections, Members, and Subsections. Philosophically, Medicinally, Historically, Opened and Cut Up) is not a succinct sort of work.

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Trout Stanley, Southwark Playhouse

Heather Neill

Award-winning Toronto-born playwright Claudia Dey is also an advice columnist and here she presents us with three wildly off-the-wall case studies. The twin Ducharme sisters, who share an isolated house in Tumbler Ridge, British Columbia, are famous for having a shared life marked by tragedy: their triplet died in the birth canal, their mother succumbed to a fever on their twentieth birthday and their father was split in two by lightning on the same day.

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Lizzie Siddal, Arcola Theatre

Fisun Güner

Lizzie Siddal, Pre-Raphaelite muse and model for John Everett Millais’ 1852 sensation Ophelia, died a tragic death aged 32 from a laudanum overdose, the Victorian’s opiate of choice to which she had become addicted in her final years. Jeremy Green’s new play explores her relationship with Gabriel Dante Rossetti, who, with Millais and William Holman Hunt, formed the original PRB triumvirate.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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