Theatre Reviews
Liolà, National TheatreThursday, 08 August 2013
Sicilian location, Irish populace, Balkan Roma music: Richard Eyre’s production of a Pirandello bagatelle could easily have turned into the kind of Europudding more common in cinema. That it fairly dances over the pitfalls is due partly to a well-calibrated ensemble, but above all to the fact that the great Italian playwright made an exception to social commentary and searching examination of the human condition, coming up instead with a piece of fluff about babymaking village-style. Read more... |
Edinburgh 2013: The Events/Morning and Afternoon/Live Love LaughWednesday, 07 August 2013
The Events, Traverse Theatre ****Read more... |
The Same Deep Water As Me, Donmar WarehouseWednesday, 07 August 2013
Britain today: while the total of car crashes is falling the number of whiplash claims is rising by 25 per cent. Yes, the compensation culture is speeding ahead. In Nick Payne’s follow up to his immensely successful West End transfer, Constellations, a firm of personal injury claims lawyers is the setting for a scam in which a money-spinning lie goes wrong. It’s the stuff of many a Newsnight report, but can he make a social issue interesting as a drama? Read more... |
The Sound of Music, Regent's Park Open Air TheatreTuesday, 06 August 2013
Over in Southwark you can currently find Rodgers and Hammerstein exploring the seamier side of life among the prostitutes and drop-outs of Pipe Dream, but in the woody amphitheatre of the Regent’s Park Open Air Theatre it’s all raindrops on roses and whiskers on kittens. Read more... |
Pipe Dream, Union TheatreSunday, 04 August 2013
Rodgers and Steinbeck: sound unlikely? Well, self-proclaimed “family show” man Hammerstein may have baulked at words like "whorehouse" when he created a play for music out of Steinbeck’s Cannery Row and Sweet Thursday. Read more... |
Edinburgh 2013: Ban This Filth!Sunday, 04 August 2013
If the past week or so has proven anything, it’s that feminism in 2013 has lost none of its power to inspire, anger and enthrall. Given the nature of the abuse meted out to those who raise their voices above the chorus, for Alan Bissett to turn his own feminist awakening into an hour-long show is brave, foolish or some combination of the two. Read more... |
Gabriel, Shakespeare's GlobeSunday, 21 July 2013
If there’s a more thinly written, loosely structured and hammily acted play than Samuel Adamson’s panorama of Purcell’s London, then I have yet to endure it. Baffling, because this is the writer who brought us Southwark Fair, a lively depiction of the local scene which never so much as hinted as the village-institute clichés and banalities piled high here in a production by Dominic Dromgoole which does little to finesse the sorry situation. Read more... |
Josephine and I, Bush TheatreSunday, 21 July 2013
Cush Jumbo could very easily have put on a hit show about Josephine Baker. There would have been a chorus line of flappers, replete with spangles and feathers. She would have belted out some of the more enduringly popular hits from Baker’s glory days in Paris. Perhaps the infamous banana skirt would even have made an appearance in what could, essentially, have been a crowd-pleasing jukebox musical. Read more... |
The Drowned Man: A Hollywood Fable, Temple StudiosThursday, 18 July 2013
A decaying London outpost of the Hollywood movie-making machine, where dreams are spun on celluloid, and reality and fantasy intertwine in a nightmarish danse macabre of desperation and dark desire... that’s the concept behind this new immersive piece by the acclaimed site-specific innovators Punchdrunk. In execution, the experience is rather less mesmerising. Read more... |
A Season in the Congo, Young VicWednesday, 17 July 2013
No theatre in London, surely, has offered us more miracles of transformed space than the Young Vic. Small it may be, but its productions often feel big in every way, and none more so than Joe Wright’s total-theatre take on Aimé Césaire’s A Season in the Congo. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...
There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...
Bergerac, U&Drama review - the Jersey 'tec is born...
They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...
A Knock on the Roof, Royal Court review - poignant account o...
The war in Gaza has been going since 7 October 2023 – that’s about 15 months. But it’s strangely absent from British stages...
The Last Showgirl review - Pamela Anderson stars as a middle...
Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”,...
The Score, Theatre Royal Haymarket review - curious beast of...
Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words...
Album: Abel Selaocoe - Hymns of Bantu
The musician Abel Selaocoe reaches out to the ancestors, African and European, continuing a journey that spans continents and centuries, an...
The Ferryman, Gaiety Theatre, Dublin review - Jez Butterwort...
Dublin theatregoers have been inundated with Irish family gatherings concealing secrets or half-buried sorrows, mixing “bog gothic” with very real...
Helen Charlston, Sholto Kynoch, Temple Church review - fine...
Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and...