Theatre Reviews
Next Fall, Southwark PlayhouseWednesday, 01 October 2014
Britain has entered a “post-Christian” era, declared former Archbishop of Canterbury Rowan Williams earlier this year: we acknowledge its cultural presence, but Christianity is no longer an habitual practice for the majority of the population. Read more... |
The Edge of Our Bodies, Gate TheatreTuesday, 30 September 2014
Sixteen-year-old Bernadette is determined to write short stories. She's a promising writer, describing her own feelings, the strangers and friends who cross her path in telling detail. Read more... |
Dangerous Corner, Richmond TheatreTuesday, 30 September 2014
In his otherwise unremarkable 1932 debut play Dangerous Corner, JB Priestley employs a promising framing device that hints at the kind of metafictional experimentation found in works like Stoppard’s The Real Thing or Pirandello’s Six Characters in Search of an Author. Read more... |
Rudy's Rare Records, Hackney EmpireSunday, 28 September 2014
This stage adaptation of Danny Robins' Radio 4 drama is a feel-good show packed with snappy one-liners from a gaggle of intelligently drawn characters. Its roots in radio are evident, to be sure: the action develops significantly at 30-minute intervals with as many jokes crammed in as possible. On the upside, the story of a failing record store and its feckless owner comes with a host of infectious tunes and a seductively atmospheric score. Read more... |
The James Plays, National TheatreSaturday, 27 September 2014
Rona Munro’s trilogy of plays about Scotland’s Stuart kings premiered at the Edinburgh Festival when Scottish independence was, for many, still a cherished possibility; it transfers to London – within a clarion call of Westminster – just as the promise has been dashed. As timely as the National’s recent Great Britain, the trilogy is more than merely opportune, resonating with the anger and frustration of centuries. Read more... |
Flowers of the Forest, Jermyn Street TheatreSaturday, 27 September 2014
As we arrive at the last few months of 2014, the temptation to say “Enough! No more!” to representations of the First World War creeps in. The centenary of 1914 has been so comprehensively commemorated on our stages and screens that you could be forgiven for feeling as if you had little left to understand about what went on. But don’t put it all behind you quite yet – this rediscovery from the 1930s still has something to offer in an overcrowded space. Read more... |
The Vertical Hour, Park TheatreFriday, 26 September 2014
In the context of recent events in Iraq and Syria, the spectre of the ill-fated Iraq War of 2003 looms large once more. What better time for a revival of master-playwright David Hare’s story about conflict and personal relationships? Read more... |
Kingmaker, St James TheatreThursday, 25 September 2014
The news cycle waits for no man. When Robert Khan and Tom Salinsky’s thinly veiled Boris Johnson satire premiered in Edinburgh at the beginning of August, it seemed remarkably timely, coinciding as it did with BoJo announcing his intention to return to Parliament. Now, it’s at best reactive, and competing with a sea of far more penetrating editorials about the likelihood and reality of everyone’s favourite accident-prone chap actually running the country. Read more... |
Was it right to censor Exhibit B?Wednesday, 24 September 2014
So, Exhibit B, the controversial “human zoo” using black actors to re-enact the role of ethnographic exhibits – semi-naked, chained, silenced by metal masks and degraded in metal collars – has been cancelled, due to the presence of protesters. Read more... |
Teh Internet Is Serious Business, Royal Court TheatreWednesday, 24 September 2014
Currently, the Royal Court is exploring the theme of revolution and resistance. In its studio space it is staging The Wolf from the Door, Rory Mullarkey’s excellent absurdist fantasy of a very English uprising. And now on its main stage is Tim Price’s fictional account of how Anonymous and LulzSec, a collective swarm of hacktivists, took on some of the most powerful capitalists in the world without even leaving their bedrooms. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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