Theatre Reviews
Neville's Island, Duke of York's TheatreWednesday, 22 October 2014
Hell is other people. It’s not the wilderness that poses the greatest threat to the stranded corporate bonding quartet in this docile Lord of the Flies-meets-The Office pastiche, but the endless stream of well-meaning incompetence. Yet while Tim Firth’s 1992 play is Schadenfreude Central – if you haven’t had your fill of disaster-by-proxy following the trail of Hurricane Gonzalo – it, too, suffers from benign ineptitude in not committing to a genre. Read more... |
The Scottsboro Boys, Garrick TheatreTuesday, 21 October 2014
You come away from The Scottsboro Boys sure of two things: that the next cakewalk you hear will induce queasiness and that the show's director/choreographer Susan Stroman is some kind of genius. This kick-ass West End premiere, now happily transferred from the Young Vic, has a simplicity, a precision, a visceral energy, a choreographic razzle-dazzle that make an art of catching you off-guard. Read more... |
Andrew Logan’s Alternative Miss World, Globe TheatreTuesday, 21 October 2014
On Saturday at Shakespeare’s Globe, the Alternative Miss World was staged for the 13th time. Having launched this gloriously tacky event in his Hackney studio in 1972, artist Andrew Logan promises to carry on the tradition until the day he dies; but it’s last showing – at the Roundhouse five years ago – nearly bankrupted him. Read more... |
The House That Will Not Stand, Tricycle TheatreTuesday, 21 October 2014
Bigger is better in the Tricycle’s latest piece of reclaimed black history. African-American writer Marcus Gardley’s stimulating play, which transports Lorca’s The House of Bernarda Alba to 1836 New Orleans and a significant shift in the evolving racial hierarchy, begins slowly and timidly, reliant on exposition and sitcom laughs. Yet once he and Indhu Rubasingham embrace its operatic qualities, this memorably evocative work takes flight. Read more... |
Gypsy, Chichester Festival TheatreSunday, 19 October 2014
There’s a moment of stunned silence in Imelda Staunton’s storming Mama Rose at the Chichester Festival Theatre, a long, long, moment where neither speaking nor singing she conclusively demonstrates what a difference a great actress makes in this most iconic of musical theatre roles. Read more... |
The Cherry Orchard, Young VicFriday, 17 October 2014
Ghosts are walking at the Young Vic. Katie Mitchell’s stark, startling production of Chekhov’s final lament is not just an evocation of a lost era, but a summoning of the spirits haunting Vicki Mortimer’s chilling sepulchral mansion. This is a Cherry Orchard cast into shadow – literal and figurative – but pulsing with furious energy. The past will not go gentle into that good night; it calls out in a keening cry. Read more... |
East Is East, Trafalgar StudiosFriday, 17 October 2014
When it first opened in October 1996, Ayub Khan Din’s East Is East was hyped as the best Asian play since, well, ever. And audiences flocked to see this 1970s migrant story both in Birmingham, where it opened, and at the Royal Court, which was a co-producer. Three years later, a film version — directed by Damien O’Donnell — was equally popular, suggesting that Brit film could be as bright as the best of Brit drama. Read more... |
Here Lies Love, National TheatreWednesday, 15 October 2014
The National Theatre's new Dorfman auditorium gets off to a kick-ass start with Here Lies Love, the Off Broadway musical transplant that does for the closing months of Nicholas Hytner's tenure as artistic director what Jerry Springer the Opera did for the early days of his regime a decade or more ago. Read more... |
Uncle Vanya, St James TheatreTuesday, 14 October 2014
Purists may take issue with Anya Reiss’s incursion into the classics. Having already tackled The Seagull and Three Sisters, she’s now turned her dogged 21st-century gaze on Uncle Vanya. But Reiss’s adaptation, though fresh and punchy, is notable, in fact, for its amiable fidelity. Read more... |
Romeo and Juliet, Sherman Cymru, CardiffSunday, 12 October 2014
When unveiling her first season at Sherman Cymru earlier this year, new artistic director Rachel O’Riordan gave voice to two ambitions: to generate new writing within Wales, and produce classic texts which specifically resonate with the audience. What better way to begin than with Shakespeare’s famous tale of star-crossed lovers? Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Alterations, National Theatre review - high emotional costs...
Plays about the Windrush Generation are no longer a rarity, but it’s still unusual for revivals of black British classics to get the full...
Uprising, Glyndebourne review - didactic community opera sup...
The score is effective, and rewarding to perform, but derivative. The libretto uses every cliché, or truism, about save-the-planet youth activism...
Music Reissues Weekly: Kraftwerk - Autobahn at 50
“German space rock group is already shooting up the charts with their debut US LP. One of few continental groups able to make this musical mode...
Mahan Esfahani, Wigmore Hall review - shimmering poise and r...
To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While...
Album: Architects - The Sky, The Earth & All Between
Brighton metallers Architects have weathered various tribulations in their almost 20-year career. Formed by twins Dan and Tom Searle, after...
Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...
There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...
Bergerac, U&Drama review - the Jersey 'tec is born...
They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...
A Knock on the Roof, Royal Court review - poignant account o...
The war in Gaza has been going since 7 October 2023 – that’s about 15 months. But it’s strangely absent from British stages...