Above the Stag, an unpromising-looking, ominously shuttered gay pub in the ungainly heart of Victoria, a little miracle has been taking place. Word of mouth quickly sold out an intelligent adaptation of E M Forster's great coming-out novel Maurice, so the run has been extended until this Saturday. At the time of writing there were a few seats left for the final performance; as for a transfer, who knows?
Friends bought tickets for this one, so I came to it fearing all that's bad about pub theatre (and from some I've seen, it couldn't be much worse). How wrong I was. Roger Parsley and Andy Graham have selected nearly all of Forster's most significant one-to-ones. The clarity of his prose keeps datedness or sentimentality at bay, and it's much assisted by Tim McArthur's sure-footed direction as well as some first-class acting from Adam Lilley's ambivalent hero - excellent in conflict with poor sister Ada (Persia Lawson) - and from Jonathan Hansler in two consummate cameos. Unless you're fixated on the image of Rupert Graves's gamekeeper in the cagier Merchant-Ivory film - I'm not - then Stevie Raine's Alec is all that could be desired. Further details from Above the Stag Theatre's website.
reviews, news & interviews
Help secure the future of arts journalism
In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.
If you like what you see here, please join us
in this mission.
Subscribing to the site will help us in our coming
redesign and expansion.
If you do this before the 9th September this will be at our guaranteed founder’s rate:
your subs will never increase again.
Subscribe now for £5 per month.
or yearly for just £40.
Or if you simply want to support us with a one-off donation, you can do so here.
more theatre
Tom Littler's double has verse delivery at its best - and is very funny indeed!
All the old failings and all the old appeal for 'Game of Thrones' fans
Fractured friendships and haunting folk magic in three fine openings at the Traverse Theatre
Drew McOnie and team create an exciting entertainment with strong performances
Christine Lahti expands her CV by writing and performing a painfully personal tale
Phelim McDermott, with his magic piano, pays tribute to his friend Philip Glass
Magnificent cast bring fresh energy to show approaching 50 years of age
Disappointingly literal version of Sarah Kane’s classic account of love tested to extremes
Emily White’s new play is important, but too often tells where it could show
You saw the movie and you read the book...
Curious show struggles to find the right tone
New play about love and loneliness in London has terrific gender and genre fluidity