Above the Stag, an unpromising-looking, ominously shuttered gay pub in the ungainly heart of Victoria, a little miracle has been taking place. Word of mouth quickly sold out an intelligent adaptation of E M Forster's great coming-out novel Maurice, so the run has been extended until this Saturday. At the time of writing there were a few seats left for the final performance; as for a transfer, who knows?
Friends bought tickets for this one, so I came to it fearing all that's bad about pub theatre (and from some I've seen, it couldn't be much worse). How wrong I was. Roger Parsley and Andy Graham have selected nearly all of Forster's most significant one-to-ones. The clarity of his prose keeps datedness or sentimentality at bay, and it's much assisted by Tim McArthur's sure-footed direction as well as some first-class acting from Adam Lilley's ambivalent hero - excellent in conflict with poor sister Ada (Persia Lawson) - and from Jonathan Hansler in two consummate cameos. Unless you're fixated on the image of Rupert Graves's gamekeeper in the cagier Merchant-Ivory film - I'm not - then Stevie Raine's Alec is all that could be desired. Further details from Above the Stag Theatre's website.
reviews, news & interviews
Help secure the future of arts journalism
In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.
If you like what you see here, please join us
in this mission.
Subscribing to the site will help us in our coming
redesign and expansion.
If you do this before the 31st August this will be at our guaranteed founder’s rate:
your subs will never increase again.
Subscribe now for £5 per month.
or yearly for just £40.
Or if you simply want to support us with a one-off donation, you can do so here.
more theatre
New play about love and loneliness in London has terrific gender and genre fluidity
Not everything works but, with this unbreakable musical, it doesn't need to
Simon Stone's latest reversioning of a classic is a muddled misfire
Lots of innovative ideas, but we need to hear the line readings clearly
Eurovision star Sam Ryder is made for the title role, while Drew McOnie’s choreography makes us feel the delirium
Chloë Moss’s new drama is a nerve-fraying example of telephonic tension
Carrie Cracknell’s splendid revival of Stoppard’s masterwork transfers with its magic intact
Springwood, Hampstead Theatre review - international politics revealed as a gentle comedy of manners
Transatlantic tensions are diffused through alcohol, sex, and the etiquette of hot dogs
Bad husband, bad dad, great singer
New play about domestic abuse adopts a radical form that works - up to a point
Adrian Lester’s spiky, swaggering hero is the apex predator in this linguistic ecosystem
American playwright Rajiv Joseph’s account of Serbian political assassins really rocks
Add comment