Opera Reviews
Un ballo in maschera, Welsh National Opera review - opera as brilliant self-parodyMonday, 11 February 2019
Why is Un Ballo in maschera not as popular as the trio of Verdi masterpieces – Rigoletto, Traviata, Trovatore – that, with a couple of digressions, preceded it in the early 1850s? Its music is scarcely less brilliant than theirs, and if its plot is on a par of absurdity with Trovatore’s, it is at least, on the whole, more fun. Read more... |
La Damnation de Faust, Hallé, Elder, Bridgewater Hall, Manchester review - 'concert opera' indeedMonday, 11 February 2019
Berlioz called it a "concert opera". His telling of the Faust story is in scenes and highly theatrical, but a bit of a challenge to put on in the theatre, with its marching armies, floating sylphs, dancing will-o’-the-wisps and galloping horses. It seems he expected it to be a kind of giant cantata, and that’s the way the Hallé and Sir Mark Elder perform it. Read more... |
Anthropocene, Hackney Empire review - vivid soundscapes but not quite enough thrillsFriday, 08 February 2019
The flayed corpse of a dead seal hangs red and grotesque at the back of the stage. It’s a placeholder; we know that by the end of Anthropocene – Scottish composer Stuart McRae’s latest collaboration with librettist Louise Welsh – something more familiar, and far more horrifying, will take its place. Read more... |
Katya Kabanova, Royal Opera review - inner torment incarnateTuesday, 05 February 2019
Backstories, we're told, are a crucial part of stage visionary Richard Jones's rehearsal process. Read more... |
Katya Kabanova, Opera North review – a grim taleMonday, 04 February 2019
A sad tale’s best for winter, and Opera North have returned to Janáček’s lyrical taken on a classic Russian drama of domestic abuse, guilt and suicide for this ingredient of their current season. Read more... |
Die Walküre, LPO, Jurowski, RFH review - love shines outMonday, 28 January 2019
Harpers on the undeniably offensive aspect of Wagner the man might question attending a concert performance of his second Ring opera on World Holocaust Day. Fortunately there's nothing anti-semitic to be found anywhere in Die Walküre. Read more... |
The Queen of Spades, Royal Opera review - uneven cast prey to overthought conceptMonday, 14 January 2019
Prince Yeletsky, one of the shortest roles for a principal baritone in opera but with the loveliest of arias, looms large in Stefan Herheim's concept of The Queen of Spades. Read more... |
Hänsel und Gretel, Royal Opera review - not quite hungry enoughFriday, 14 December 2018
Once upon a time there was the terrible mouth of Richard Jones's Welsh National Opera/Met Hänsel und Gretel, finding an idiosyncratic equivalent to the original Engelbert Humperdinck's dark Wagnerian heart. Then came something very nasty in the witch's deep freeze of the last Royal Opera staging, something of a dog's dinner from Patrice Caurier and Moshe Leiser. Read more... |
Gianni Schicchi/Suor Angelica, RNCM, Manchester review – music does the magicWednesday, 12 December 2018
The Royal Northern College of Music’s December opera production was the useful double bill of Suor Angelica and Gianni Schicchi from Puccini’s Trittico. Read more... |
Candide, LSO, Alsop, Barbican review - nearly the best of all possible...Monday, 10 December 2018
When the biggest laugh in Bernstein’s Candide goes to a narrator’s mention of how nationalism was sweeping through Europe, you may have a problem. Still, the Bernstein Centenary has been among the best of all possible anniversary celebrations this year and at the LSO Candide - the great man’s bonkers operetta-ish take on Voltaire, a flawed masterpiece with a succession of glorious tunes and snappy lyrics - could have been its apex. At times, it was. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Maria review - Pablo Larraín's haunting portrait of an...
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...
Titanique, Criterion Theatre review - musical parody sinks d...
This Celine Dion jukebox musical has been a big hit in New York, but...
Album: Franz Ferdinand - The Human Fear
Travel back in time to the mid 2000s and you would be hard pressed to escape "Take Me Out" by Franz Ferdinand on the air waves. On the radio,...
Babygirl review - would-be steamy drama that only flirts wit...
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...
It's Raining Men review - frothy French comedy avoids d...
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...
Album: Bridget Hayden and The Apparitions - Cold Blows The R...
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse....
A Real Pain review - Jesse Eisenberg and Kieran Culkin take...
Jesse Eisenberg's first film as writer/director...
Blu-ray: The Hop-Pickers
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...