Opera Features
First Person: Kerem Hasan on the transformative experience of conducting Jake Heggie's 'Dead Man Walking'Tuesday, 04 November 2025
There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De Rocher, with his spiritual advisor Sister Helen Prejean in tow, have a devastating interaction with his mother. A final, inconsolable goodbye before De Rocher is processed for his impending execution. Read more... |
First Person: soprano Elizabeth Atherton on the decimation of the classical music sector in WalesMonday, 23 September 2024
Is it an opera company’s role to avert climate change? Should a circus troupe have to prioritize promoting the Welsh language? Is the purpose of a dance ensemble to bring about social justice? Should these issues be the main focus for our arts organisations? Surely not, and yet… Read more... |
First Person: trans opera singer Lucia Lucas on Tippett’s 'New Year' and her life in musicTuesday, 16 July 2024
Until last week, Tippett’s New Year had not been staged since 1990, probably because it’s considered very hard to produce. I think it is generally harder than Britten. It’s also an ensemble piece; you need 10 people who are fairly accomplished in performing new works. Read more... |
First Person: Katharina Kastening on directing slimline Bizet in a year rich in 'Carmen' productionsSaturday, 06 July 2024
Peter Brook's reimagining of Bizet's Carmen condenses the scale of the original into a more intimate theatrical experience. The score has been starkly cut, the orchestra reduced, and only four singing roles remain: Carmen, Don José, Escamillo and Micaëla. There are also three speaking roles: Zuniga, Lillas Pastia and Garcia (Carmen's husband). Read more... |
Remembering conductor Andrew Davis (1944-2024)Saturday, 04 May 2024
As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he inspired. Now is a good time to recall those properly to mind, to listen to his huge discography, and to assess his proper place among the top conductors – again, as one of such versatility and range that, to adapt what Danny Meyer writes below, he might have been labelled a jack of all trades when he was a master of all. Read more... |
theartsdesk in Strasbourg: crossing the frontiersWednesday, 13 March 2024
A single pair of swans glided serenely under the bridges of the river Ill as I walked to the premiere of the Opéra National du Rhin’s new production of Lohengrin in Strasbourg on Sunday. Read more... |
theartsdesk in Ravenna - Riccardo Muti passes on a lifetime's operatic wisdomTuesday, 26 December 2023
Does “the practice of opera singing in Italy” need help from UNESCO, which has newly inscribed it on the “Representative List of the Intangible Cultural Heritage of Humanity”? Italian opera is surely immensely popular worldwide. But when it comes to practising the art properly, its greatest senior exponent, Riccardo Muti, powerfully argues that Verdi and Bellini, his most recent special projects in the city where he lives, Ravenna, need as much respect and care as Beethoven or Schubert. Read more... |
Michael Powell: a happy time with Bartók’s BluebeardTuesday, 19 December 2023
In his final years Michael Powell mooted the possibility of a Bartók trilogy. He wanted to add to the growing popularity of his work on Bluebeard’s Castle, the deepest of one-act operas, an idea he had previously rejected of filming the lurid "pantomime" The Miraculous Mandarin and, as third instalment, not the earlier ballet The Wooden Prince but a film about the composer’s time in America and his return, after death, to Hungary. Read more... |
theartsdesk at Wexford Festival Opera - four operas and a recital in one crazy dayWednesday, 08 November 2023
Imagine a Glyndebourne season where all those promising young singers in the chorus get to be principals in a series of fringe operas. At Wexford, they already have their work cut out, though this year not so much in the three main rarities – hence the sheer joy of witnessing so many fine performances in Puccini’s Suor Angelica and Gianni Schicchi, Donizetti’s La fille du régiment and Rossini’s L’Italiana in Algeri. Read more... |
theartsdesk in Ukraine - Stankovych's 'Psalms of War' at the Lviv National OperaFriday, 27 October 2023
Yevhen Stankovych is Ukraine’s most important living composer and – after decades of writing music that seems to grow from this country’s rich black earth, tribulations, literature and folklore – he now contributes, with his latest piece, the most cogent musical event of the current calamity. Read more... |
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