Opera Features
theartsdesk at Budapest Wagner Days: Bayreuth on the DanubeSaturday, 01 July 2017
While Merkel's Germany has won back world leadership, Wagner's festival shrine at Bayreuth lost its post-war pre-eminence years ago. There hasn't been a strong Ring there since Kupfer's, which I was lucky enough to see in 1991, and things will only improve with the departure of overweening Katharina Wagner and Christian Thielemann (fine conductor, disastrous people-person). Read more... |
'The challenge is to make something of not very much': Iestyn Davies on Britten's OberonThursday, 08 June 2017
Tomorrow Britten’s opera A Midsummer Night’s Dream will begin a short run at the Snape Maltings, Suffolk in a new production directed by Netia Jones and conducted by Ryan Wigglesworth. It will mark the high point of the Aldeburgh Festival’s summer celebrations half a century on from the opening of the Snape Maltings concert hall. Read more... |
'You are my hero, dear Jiří': Karita Mattila and others remember Jiří BělohlávekWednesday, 07 June 2017
The first of Jiří Bělohlávek’s final three appearances in London, conducting his Czech Philharmonic in a concert performance of Janáček’s Jenůfa, came as a shock. The trademark grey curly hair had vanished. Read more... |
theartsdesk in Göttingen: Handel for allSaturday, 03 June 2017
"Love is in the air," croons or rather bellows presenter Juri Tetzlaff, getting his audience of adults and children to bellow back the wordless refrain, arms swaying above their heads. Mezzo Sophie Rennert, dragged up as noble Lotario, and soprano Marie Lys as widowed princess Adelaide dance tenderly to the strains. Read more... |
Listed: How I Do Love TheeTuesday, 14 February 2017
Love is in the air. Today, men and women and boys and girls will be pondering how to say it with roses and cards and candlelit dinners: those three words that contain multitudes. As the old strip cartoon never quite got round to saying, love is... the human condition, which is why a good quantity of the culture we review on this site has to do with it. To help you get into the mood for romancing, we have asked our... Read more... |
ENO's Marvellous Miller in picturesSunday, 20 November 2016
It should have been unmodified rapture: a gathering of English National Opera team members old and new celebrating the doyen of the company's best-selling productions. And, as has always happened with the artistic side of the company, this loving homage to Sir Jonathan Miller sounds like a triumph. Critics weren't invited to the gala - statement, not sour grapes; this was a charity event, after all - and the final rehearsal was closed, though not apparently at the wish of anyone performing... Read more... |
Martyn Brabbins: a safe pair of hands at ENOFriday, 21 October 2016
No-one can easily replace Mark Wigglesworth as Music Director of English National Opera: ask any of the musicians working there and you'll find they're all heartbroken. That said, they could not have chosen a nicer man or a better all-round musician than Martyn Brabbins. Read more... |
Pick of the BBC Proms 2016Monday, 11 July 2016
"Refreshingly traditional" is how one of our writers describes this year's BBC Proms programme. Alarmingly unadventurous might be another way of putting it, though only in comparison with many of the golden years under Roger Wright. Read more... |
theartsdesk at the Holland FestivalSunday, 19 June 2016
The Holland Festival is one of the greats. It has a British director, the articulate Ruth Mackenzie, formerly of the Chichester Festival and the cultural Olympiad, now into her second year. It’s the same age as Edinburgh and Avignon – 70 in 2017 – but not as well known, though it should be. “We must,” Mackenzie says, “seriously punch above our weight. Read more... |
Alberto Remedios: 'his natural instrument obeyed his inner thoughts with ease'Wednesday, 15 June 2016
When I sang Isolde to Alberto’s Tristan at English National Opera all those years ago, it was a joy to hear such wonderful tenor sounds in my ears, my heart and my soul. It was always difficult for him to memorise his work and up until the first night I wasn’t quite sure what was going to happen. Yet when we went into that other place of performing he became Tristan and we travelled, on the waves of his beautiful sounds, to places I have seldom been. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Frang, LPO, Jurowski, RFH review - every beauty revealed
When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I...
Kenny Garrett, Ronnie Scott's review - a mixed bag
The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of...
Album: Sofia Härdig - Lighthouse of Glass
The titular “lighthouse of glass” is a place where the narrator is “crying into the sun,” in which there is a need to “stand by my solitude.”...
Music Reissues Weekly: Ibex Band - Stereo Instrumental Music
Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by...
Blu-ray: Yojimbo / Sanjuro
Akira Kurosawa described his 1961 hit Yojimbo as a tale of “rivalry on both sides, and both sides are equally bad… we are weakly caught...
Levit, Sternath, Wigmore Hall review - pushing the boundarie...
Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in...
Rhinoceros, Almeida Theatre review - joyously absurd and abs...
Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by...
Mr Burton review - modest film about the birth of an extraor...
Many know that the actor Richard Burton began life as a miner’s son called Richard Jenkins. Not so many are aware of the reason he...
