sat 18/01/2025

Opera Features

theartsdesk in Zurich - forging a brilliant new Ring

David Nice

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which ran from 1988-92? If so, it’s been pipped to the post by a rather more comfortable and bijou opera house on the other side of the lake to the refuges where Wagner worked on more masterpieces – beautiful sites both, even if the “asyl” next to the Villa Wesendonck is no more..

Read more...

'How that music was created remains to me a complete mystery': John Tomlinson on fellow Lancastrian Harrison Birtwistle

John Tomlinson

It has been a difficult couple of years for us in the world of opera, losing several of our most respected and admired colleagues who have inspired us over several decades.

Read more...

First Person: Femi Elufowoju Jr. on directing Verdi's 'Rigoletto'

Femi Elufowoju Jr

I find that my experience of living as a Black man in the UK cannot help but inform the way I approach my work and never more so than with Verdi’s Rigoletto.

Read more...

First Persons: Susan Bullock, Gerald Finley and Stephen Higgins on a 'Bluebeard's Castle' with a difference

theartsdesk

Tonight a version of Bartók's Bluebeard's Castle launches in the intimate surroundings of Stone Nest, a former Welsh chapel in London's West End. Its conductor along with soprano Susan Bullock and baritone Gerald FInley, alternating in the roles of Judith and Bluebeard with Gweneth Ann Rand and Michael Mayes, discuss its special claim on our attention.

 

Read more...

'Everyone who played for him always gave their very best': remembering Bernard Haitink (1929-2021)

theartsdesk

Few musicians get to stage-manage a dignified departure from the world.

Read more...

Royal Opera House lullabies for Little Amal

David Nice

“I want to tell her that people will be good,” Tewodros Aregawe of Phosphoros Theatre confided to us as Little Amal closed her eyes on the giant bed made up for her in the Paul Hamlyn Hall, “that all the people with kind eyes who have walked alongside her and listened to her story will be louder than those who wish she wasn’t there”.

Read more...

'Rest now, you God': remembering bass-baritone Norman Bailey (1933-2021)

theartsdesk

Few singers really change your life. Norman Bailey did that for me [writes David Nice of theartsdesk].

Read more...

Summer seasons in a Covid world: five opera company movers and shakers reflect

theartsdesk

The bleakest time of all for live music during the Covid crisis came in the first four and a half months of this year.

Read more...

Remembering Graham Vick (1953-2021) - top colleagues on one of the greatest opera directors

theartsdesk

Five weeks have passed since the death of opera director Graham Vick from complications due to Covid-19, shocking even to those of us (un)prepared for the worst, and yet so many of us think about him every day.

Read more...

First Person: conductor Enrique Mazzola on Verdi's time-travelling 'Luisa Miller'

Enrique Mazzola

It is difficult to know why some operas succeed while others remain unknown. The reasons can be emotional or historical, or it might be as simple as a poor cast who couldn’t quite launch the opera into the stars. In the case of Luisa Miller, we have the perfect example of a masterpiece which has been a little bit neglected.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

A Complete Unknown review - how does it feel?

Being unknowable has been almost as much of a preoccupation for the erstwhile Robert Zimmerman as writing songs. Previously on film he has played...

Love Life, Opera North review - Lerner and Weill's blas...

The past is a foreign country: they do things differently there. But in Love Life, Kurt Weill and Alan Jay Lerner’s...

Vermiglio review - a simple tale, simply but beautifully tol...

Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a...

Album: Kele - The Singing Winds Pt. 3

Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand...

Simón Bolívar Symphony Orchestra, Dudamel, Barbican review -...

Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela took the Barbican by storm last night with a thrilling account of Mahler’s...

Jenůfa, Royal Opera review - electrifying details undermined...

This was always going to be Jakub Hrůša’s night, his first at the...

German National Orchestra, Marshall, Cadogan Hall review - s...

This concert was an effusion of pure joy. Billed as the German National Orchestra, the Bundesjugendorchester (Federal Youth Orchestra), all of...

Chris McCausland, Winchester Theatre Royal review - Strictly...

By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...

Album: The Weather Station - Humanhood

Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they...