Opera Reviews
'The orchestra becomes the landscape': Annabel Arden on Opera North's concert staging of AidaTuesday, 30 April 2019
This will be the latest in Opera North’s acclaimed concert stagings of large-scale works, which have previously included Wagner’s Ring cycle, Puccini’s Turandot and Strauss’s Salome. Read more... |
Billy Budd, Royal Opera review - Britten's drama of good and evil too much at seaWednesday, 24 April 2019
On one level, it's about Biblically informed good and evil at sea, in both the literal and the metaphorical sense. On another, the love that dared not speak its name when Britten and E M Forster adapted Hermann Melville's novella is either repressed or (putatively) liberated. The conflicts can make for lacerating music theatre, as they did in Orpha Phelan's production for Opera North. Read more... |
SS Mendi: Dancing the Death Drill, Isango Ensemble, Linbury Theatre - evocative and essential lyric theatreSaturday, 20 April 2019
While Bach's and Handel's Passions have been driving thousands to contemplate suffering, mortality and grace, this elegy for black lives lost over a century ago also chimes movingly with pre-Easter offerings. Read more... |
Faust, Royal Opera review - fusty Gounod still dancesFriday, 12 April 2019
Goethe's cosmic Faust becomes Gounod's operatic fust in what, somewhat surprisingly, remains a repertoire staple. You go for the tunes, hoping for the world-class voices to do them justice and prepared for a pallid quarter-of-an-hour or two. Read more... |
Franco Fagioli, Il Pomo d’Oro, Birmingham Town Hall review - flair and flamboyanceMonday, 08 April 2019
For the final, and only UK, date of his Vinci Arias tour, virtuoso countertenor Franco Fagioli gave an animated and arresting recital of baroque arias at Birmingham Town Hall on Sunday afternoon with the Italian period instrument group Il pomo d’oro. Read more... |
The Pilgrim’s Progress, RNCM, Manchester review – a theatrical triumphThursday, 04 April 2019
The Royal Northern College of Music’s spring opera is a theatrical triumph and musically very, very good. It’s 27 years since they last presented what Vaughan Williams called his "morality" – that was a triumph too, and they made a CD of it which I still have. They may not be issuing a sound recording this time, but as an experience in the theatre, it is even more compelling. Read more... |
Jack the Ripper: The Women of Whitechapel, English National Opera review - powerful ensemble, wrong subjectSunday, 31 March 2019
If you can’t put a name to any of Jack the Ripper’s victims – and spin it however you please, victims they remain – then you shouldn’t buy the publicity about this new opera "bringing dignity back" to the murdered women in question. Isn’t it time to stop feeding the troll/killer, much as Jacinda Ardern did so swiftly and movingly under different circumstances last week, and let the five eviscerated corpses return to dust in peace? Read more... |
Berenice, Royal Opera/London Handel Festival review - luminous shenanigans in the LinburyThursday, 28 March 2019
It might be the nature of Handel's operatic beasts, but performances tend to fall into two camps: brilliant in the fusion of drama and virtuosity, singing and playing, or boring to various degrees. Read more... |
Elizabeth I/Macbeth, English Touring Opera review - elegance and eerinessTuesday, 26 March 2019
A crash, a scurry, a long, lilting serenade – the overture to Rossini’s Elizabeth I sounds oddly familiar. Not to worry. English Touring Opera has anticipated our confusion. Read more... |
La forza del destino, Royal Opera review - generous voices, dramatic voidsFriday, 22 March 2019
When "Maestro" Riccardo Muti left the Royal Opera's previous production of Verdi's fate-laden epic, disgusted by minor changes to fit the scenery on the Covent Garden stage, no-one was sorry when Antonio Pappano, the true master of the house then only two years into his glorious reign, took over. Read more... |
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